Cover of Sometimes I Sit and Think, and Sometimes I Just Sit

Sometimes I Sit and Think, and Sometimes I Just Sit

Courtney Barnett

15 March 2015

Average
8.0
Ratings
23
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Reviews
9
Lists
0
Tracklist 11 tracks, 43:37
  1. A1Elevator Operator3:15
  2. A2Pedestrian at Best3:51
  3. A3An Illustration of Loneliness (Sleepless in New York)3:11
  4. A4Small Poppies7:00
  5. A5Depreston4:53
  6. B1Aqua Profunda!2:00
  7. B2Dead Fox3:33
  8. B3Nobody Really Cares If You Don’t Go to the Party2:46
  9. B4Debbie Downer3:18
  10. B5Kim’s Caravan6:47
  11. B6Boxing Day Blues3:03

Reviews

Rated 8/10

Some great highlights on this one...Depreston is a fave. CB has such a distinct voice and style. It works in short does for me but does get a little samey over the course of a full album. 3.5/5

Rated 6/10

Not at all what I thought this album would sound like, thought it was more twee, but it was pleasant enough. Feels like it could've been, like, ten minutes shorter, though.

Rated 10/10

The title is one of my dad's favourite sayings.

Fuzzy guitar and incisive and funny lyrics. It has a kind of humility that only Australians can deliver. And it's really well-paced as an album.

Rated 8/10

This is a great Aussie album. Dead Fox is a standout track.

Rated 10/10

Courtney Barnett is a true storyteller. She has a sharp inward gaze and an equally sharp eye for the everyday world around her, turning mundane observations into songs without ever making them feel trivial. The music mostly serves the storytelling, but it stands confidently on its own as well.
She really reminds me of Lou Reed. She’s the Melbourne Lou Reed. She has the city nailed, especially on “Depreston,” which captures suburban malaise perfectly and even carries a bit of that Pavement looseness in its sound. Wry, observational, funny without trying too hard.
Compared to her earlier material, this album often feels fiercer and more erratic. The gritty, catchy opening stretch shows her rock instincts clearly, shaped by her time as second guitarist in Rapid Transit. The guitar work throughout is excellent: jagged when it needs to be, relaxed when it doesn’t. Many of these songs feel full of spring energy and are carefully constructed.
And then there’s the charm. Almost every Barnett song has it, but it really shines on quieter moments like “An Illustration of Loneliness,” where vulnerability sneaks in without sentimentality.
I saw someone on here say Courtney Barnett is “one of the people I’m making fun of when I put shit on Melbourne.” I feel the exact opposite. If I had to explain Melbourne to someone through music, this album would be part of the pitch. Alongside some Amyl & The Sniffers and Painters & Dockers, it captures the city’s voice, humour, and contradictions better than most.

Rated 10/10

The story telling through both instrument and lyrics are perfect. May not be my favorite vocal style, but immaculate construction

Rated 8/10

Really enjoyed this female indie album, love the album name and cover too, added to my frequent rotation.

Rated 8/10

Solo acts/singer-songwriter music living or dying for me based entirely on the backing music. She did good work here

Rated 8/10

more aussie indie rock greatness - and incredibly good for a (solo) debut