Cover of The Bootleg Series, Vol. 4: Live 1966: The “Royal Albert Hall” Concert

The Bootleg Series, Vol. 4: Live 1966: The “Royal Albert Hall” Concert

Bob Dylan

12 October 1998, Live

Average
6.1
Ratings
236
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Reviews
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Tracklist 15 tracks, 1:35:19

Disc 1

  1. 1She Belongs to Me3:28
  2. 2Fourth Time Around4:37
  3. 3Visions of Johanna8:09
  4. 4It’s All Over Now, Baby Blue5:46
  5. 5Desolation Row11:32
  6. 6Just Like a Woman5:52
  7. 7Mr. Tambourine Man8:53

Disc 2

  1. 1Tell Me, Momma5:10
  2. 2I Don’t Believe You (She Acts Like We Never Have Met)6:07
  3. 3Baby, Let Me Follow You Down3:46
  4. 4Just Like Tom Thumb’s Blues6:50
  5. 5Leopard‐Skin Pill‐Box Hat4:50
  6. 6One Too Many Mornings4:22
  7. 7Ballad of a Thin Man7:55
  8. 8Like a Rolling Stone8:02

Reviews

Rated 8/10

Electric side is 5*, acoustic not so much (but still good)

Rated 10/10

nice dylan

Rated 8/10

I'm trying to understand this album in the context of its time - Bob Dylan, folk singer extraordinaire goes electric and his audience goes bonkers. Calls of "Judas!" and heckling fill the air. Ok, but I don't get this, because he had already released his electric Highway 61 Revisited nearly a year earlier to rave reviews. Classics on that album (performed here) include Like a Rolling Stone and Ballad of a Thin Man, both of which were originally recorded electric. So, I can't help but wonder if the audience theatrics are just a whole bunch of pretentiousness.

Either way, I found the acoustic side a little dull - I kept thinking, "this is a 3." His singing sounds like a parody of himself. The guitar lines are just the same chords over and over, with an occasional break to blow on the harmonica. Plus, for all the raving about his lyrics, sometimes they're pure cheese:

See the primitive wallflower freeze
When the jelly-faced women all sneeze
Hear the one with the mustache say,
“Jeeze I can’t find my knees”

[insert eye-roll emoji]

Now, I knew some of these acoustic tracks were pretty well-known songs and noticed that many of them were hits for others, so I went listening to other versions. I found in most cases I preferred the covers, such as the hit versions of It's All Over Now, Baby Blue by Them (i.e., Van Morrison) and Mr. Tambourine Man by the Byrds. Both covers led me to conclude that Dylan is an awesome songwriter who should leave the performing to others.

Then I hit the electric set. Immediate thought - Dylan can actually sing. Yeah, he still has that weird twangy inflection, but he was belting it out over the band (or I guess, technically, over The Band). But another thing was that these songs had much more character than Dylan with just a guitar. Tell Me, Momma comes across like a slap to the pretentious audience members who only want to hear folk Bob. I Don't Believe You is the first one where I thought Dylan really sang well. Just Like Tom Thumb's Blues and Leopard-Skin Pill-Box are both rockers with great guitar work (Robbie Robertson, presumably?). Ballad of a Thin Man and Like a Rolling Stone are both classics and both sound great here.

So, the electric side brought me to a 4. I'm looking forward to hearing more - particularly Highway 61 Revisited (which I've listened to before, but never closely). This live album is probably more important as a historical recording, but it made me want to dig a lot deeper. I'm sure digging deeper will make me better appreciate the "back-story" of this apparently legendary concert.

Rated 6/10

Gnällig och jävligt släpig röst när han sjunger live. Plus för att detta är den berömda Judas!-konserten.