Celovečernji the Kid

Dosta paralela se moze povuci izmedju proslogodisnjeg Puba i Celovecernjeg The Kid-a. Oba imaju jako slican tako: Ilona i Celovecernji The Kid zapocinju album sa jako zabavnim tempom, u sredini imamo intimnu melanholiju Svirajte Mi Jesen Stize Dunjo i Lepa Protina Kci i opet po jednu saljivu pjesmu sa pocetka B strane, Don Fancisco Long Play i Pjesma o Jednom Petlu, i za kraj opet melanholicna nota pjesama Neko To Od Gore Vidi Sve i Na Pola Puta.

S time na umu, kao album mi je ovaj drazi. Ima dosta veće vrhunce, očito u pjesmi Svirajte Mi Jesen Stize Dunjo Moja, jedna od najboljih Balasevicevih pjesama, i iako A1 i B1 imaju više humoristicniji pristup, dobro se uklapaju, pa ti niski momenti i ne zvuce toliko nisko.
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A lot of parallels can be drawn between last year's Pub and Celovecernji The Kid. Both have a very similar sound: Ilona and Celovecernji The Kid start the albums off with a very fun tempo, in the middle we have the intimate melancholy Svirajte Mi Jesen Stize Dunjo and Lepa Protina Kci and again one funny song each from the beginning of the B side, Don Fancisco Long Play and Pjesma o Jednom Petlu, and at the end again a melancholic note of the songs Neko To Od Gore Vidi Sve and Na Pola Puta.

With that in mind, I like this one as an album. There are much bigger peaks, obviously in the song Svirajte Mi Jesen Stize Dunjo Moja, one of Balasevic's best songs, and although A1 and B1 have a more humorous approach, they fit well, so those low moments don't sound so low.