Samo par godina za nas

Generally speaking, this album marks the beginning of a phase in EKV, where they move from the new-wave motifs that adorned the previous albums to a sharper alt-rock sound that corresponded to the metaphorical and cryptic texts that Milan used to a large extent since S Vetrom Uz Lice. The whole band was at the top of its game at this moment: Margita has unforgettable synth lines that have become a signature by which some songs can be recognized here, Srđan's drums do not try to stand out too much except in a couple of sections, such as in the song Krug (Circle), and the same can be said for Bojan's bass. Milan, in addition to his trademark voice and lyrics, on this album changes the sound of his guitar and gives it more hardness and sharpness that raises the whole album to a new level. All in all, the objective highlight of the group, and one of the best albums in the area of the former Republics.