Umjesto gluposti

Miladin's second album is even better than his first. The singer-songwriter added even more substance and depth to an already impressive outing.

The content is much more oriented towards unrequited and failed love than the predecessor. The arrangments and producing work is much deeper, which can be attributed to more artistic freedom, and the general sense of knowing where to go musically can be heard as well.

This would ultimately be his final album, as he took quite a few steps back after the death of his sister. In retrospect, he could've been a worthy rival to the likes of Balasevic and Dragojevic, but I guess it's sometimes better to step away when you're ahead.