Totalno drukčiji od drugih

An incredibly underrated album. With its form and composition, it meets all the criteria to be hailed as one of the best works of this area then, and even today. I don't even know why that didn't happen.

In essence, Haustor from the Sacher era with much more artistic freedom, because as Sacher is no longer limited by Rundek, neither is Leiner limited by Stulic's ideas, so this album becomes a wonderful realm of sound and, in my opinion, a spiritual continuation of Haustor. Also on the other hand, Leiner shows his true colors as a drummer, with mesmerizing parts in a number of songs. Adding the influence of reggae and dub in the rhythms also proved to be a successful result, because the relaxed melodies give more room for the whole band to shine.

Somehow the last hole on the flute turns out to be Max Wilson from the group Film, who does not have a lot of influence on the sound here. The key word is "here", because on live recordings he often goes forward and the guitar is placed in the foreground, but we are not doing a review of live recordings here. He does have a catchy riff on the first and last track though, and he generally holds the sound together and fills in the gaps that would appear, so his inclusion isn't all that bad.