Greetings From L.A.

Surprised at how upbeat this is, I like it a lot. Gets a bit Led-Zep bluesy in places.

Wasn’t expecting much from this seeing some of the top reviews, but I was surprised really enjoyed this great funky blues sound, vocals can get a bit weird but adds to the album, added to my frequent rotation. Cheesey horny lyrics stop it being a true masterpiece

Didn't like a single song save for the last track

heyy timm!

Some really nice bass playing!

I have to give it to Tim; He's really into what he's doing. Unfortunately, that energy doesn't translate into a connection for me. The band is tight, and they do well with the music they've been given. They even get to stretch their legs a few times, in tracks like 'Devil Eyes'. But that isn't enough to offset the fact that Tim's vocals and lyrical delivery are just too awkward for me to hear past. Moreover, the characters he trying to convey and/or the stories he's trying to tell in each song, just don't seem believable as he depicts them.

Nowhere is this more apparent than 'Get on Top' and 'Sweet Surrender'. I was literally cringing and tensed listening to 'Sweet Surrender', which was basically a 2-minute song followed by 4m44s of Tim's warbling and nasally improvisations. You figure that they would've learned from the previous track 'Get on Top', where there is a very apparent and abrupt cut around the 5m50s mark in and amongst a similar 4+ minute long outro. I will say that I was almost into 'Nighthawkin''... almost.

All told, it feels like an attempt was made to make a gritty album that told the stories of hard worn lives in a big city, but what came through was more like a kid telling tall tales.

I'm not a huge Tim Buckley fan. I like some of his earlier records much more than this one. The singing style here begins to grate on me after awhile. It's like some kind of carnival ride throwing you about this way and that. I find it exhausting. I also find the whole raunchy thing he's got going off-putting.