Reviews by fing2112

One of the more confusing listens on the list so far, I had to give it another listen the next morning, to fully digest it. That said this is a borderline masterpiece, just from the music alone you can tell there's a lot of pain behind the songwriting, and as it turns out Robert Wyatt got permanently paralysed. I can see why people don't like this, it feels amateurish at times, and a bit too avant-garde at others, but when it comes together (Sea Song, Alifib suite) its perfect, and unlike anything else.

I've been a fan of Hot Chip for a while, though I haven't listened to this album before. I've always seen them as a singles band, the few albums I've listened to are inconsistent (at their lowest: mid, at their best: fantastic), this album hasn't really changed my opinion on that, however this is the most consistent they've been.

The highs on this album (obvious picks are Motion Sickness, and Flutes, but I'd put Night and Day in there too) are nothing short of phenomenal, Flutes in particular (I knew the song prior to listening to the album) is one of the best pop songs of the 21st century in my opinion. The songs in-between are for the most part quite well put together, there's a few dips in quality, but there is a pretty significant gulf between these songs and their best.

The music is very good, but it falls into the same traps as most other soundtracks do: it doesn't feel like I'm listening to an album, it feels like I'm listening to a soundtrack for a movie I haven't watched. That said, this does at least make an attempt to put the tracks into an album format, so there is some value to this project.

It definitely has it's weak moments, but overall it's far too fun to dislike. It seems likely that a lot of funk rock and third wave ska bands in the 90s took inspiration from these guys, so that's interesting to see

Probably the only true album that you must hear before you die. To make an album that's made of disjointed samples and to structure them in a way that both sounds good and is as cohesive and as smooth as SILY is extraordinary, most bands fail to do this with normal instruments.

There will never be another album like this, even The Avalanches didn't try this style again, opting for more actual instrumentation and features on their next two albums.

This would considered a Psychedelic classic were it not for the significant drop in quality on the B side. I still enjoyed it a lot, and it deserves more credit than it gets, but it's clear the longer the album goes on the less ideas the band has.

I have no idea what they were thinking with that last song

I've heard noise albums that are less noisy than this.