U širokom svijetu

The follow up to Apokalipso continues in the same vain and within the same inspirational mindset of its predecessor, though it does explore the domestic folkloric melodies more. Darko's talent of making hit songs is still present here in songs like Otok (Island) and Ljubav Se Ne Trži (Love is Non-Marketable) with Ay Carmela are still staples, and widely known songs across multiple generations. This album is the real start of fascination with theatrical presentation, and a use of more widespread influences such as flamenco and French folk music, but also features some characteristic soundscapes found in Haustor's debut album.

Surely some people argue that this album is the pinnacle of Darko's solo career. I'd share that sentiment if it wasn't as lengthy as it is. At moments, it feels as if the creative energy is being milked for the sake of filling up the CD format, which really hurts the enjoyment, especially near the end. Nonetheless, it's still a good album.