Greetings From L.A.

Greetings From L.A. by Tim Buckley is a good album from someone who must have been a flawed person judging by these lyrics. Lyrically this album is very dated.

That said this album is quick, catchy and has really funky beats. so lyrics aside this is a strong album.

Favourite tracks: I enjoyed make it right
Least favourite tracks: Everything on the album was worth a listen.
Album artwork: Cracking album cover. I love an ariel view of roads.

Not sure how this is the same guy who made an album I rated one star and compared to Ren Faire music!
This album was very enjoyable- has a roadhouse blues feel to much of it.
What a pleasant surprise!

I am led to believe that Tim Buckley began his career in folk rock, and if that's true, it certainly doesn't sound that way on Greetings From L.A. This is kind of a funk or R&B album even. And while I'm not sure how he got here, the result isn't bad. Of all the components here (outside of all of Hong Kong Bar), I can see his folk origins most in the vocal stylings across this album. There is something conversational and expressive about his delivery in a way that comes across as really idiosyncratic on this album, but that I think would make more sense on a folk recording. It still does work though, the vocals give this album a kind of unique hook. On a songwriting level, my favorites are Get On Top, Sweet Surrender, Hong Kong Bar, and Make It Right. Get On Top may be the album's strongest funk moment. It quickly locks into a really enjoyable, driving funk groove that it wisely just kind of rides out. Sweet Surrender mixes things up with some psych textures, and I think it works. Also, as I mentioned, Hong Kong Bar is the albums follies moment. Buckley embraces interplaying acoustic parts that groove in a way that makes the song compatible with everything else here. But the acoustic textures and feel the song has give it a unique feeling all the same. And we do also close well with Make It Right, another folkier cut, but with a larger arrangement and more stylings consistent with the rest of the album. For how much of this I liked, it still has some flaws though: I wasn't really into Move With Me, Nighthawkin' or Devil Eyes. I think the strongest songs here are all really good at just finding a groove and living in it. Like, for example, on Get On Top, the central groove gets pushed and pulled through jam solos and lengthy vocal passages, and it gives the song a lot of control over its own energy. I just didnt think the weakest songs pulled the positives of this album of nearly as well. That being said, this was cooler than I thought, and I liked several songs here. It's neat.

Buckley was like forget all that introspective folk music, it’s the 70s, I’m gonna make a record about fucking. Most of it is a bit too Zep for me, but “Sweet Surrender” is a great song.

Why is this album on the list? It doesn’t seem particularly groundbreaking, and it doesn’t seem like this was very influential. So like, why is it here? Did the editors feel like there wasn’t enough 70s Blues Rock?

𝘎𝘳𝘦𝘦𝘵𝘪𝘯𝘨𝘴 𝘧𝘳𝘰𝘮 𝘓.𝘈. has a solid musical foundation — the grooves are strong, the arrangements are confident and the instrumentals carry a certain smoky, late-night energy. However, the experience is heavily shaped by Tim Buckley’s vocal delivery, which can feel strange and distracting rather than expressive. His style dominates to the point where it overshadows the otherwise well-crafted tracks, making it difficult to settle into the music.

Even though the album has good elements, the unconventional singing prevents them from fully connecting, resulting in an uneven listen rather than a rewarding one.

I'm really looking forward to listening to this, as I have been a big Jeff Buckley fan for more than 30.years and have never made time to listen to his dad .

Well! That was jarring. On the positive side, I think he's got a great voice and I liked the music. However, I just listened to the musical equivalent of someone putting ketchup and mustard on a decent medium rare steak.

⭐⭐

Not a fan

Nemam pojma šta da mislim. Znači da je efekat šoka na nivou? Nek ostane dvica pa sam poprilično sigurna da ću na listi čuti za šta je bio sposoban Buckley Sr. dok ga se nije otarasila cijela fan-baza.

I was expecting something like Fela Kuti's live albums - but it was different. And better. I was not sure how I feel about Tim's vocals at first, but they grew on me. Greetings from L.A. offers a big range of variety in music, while still feeling like a singular artistic statement.

This is my second Tim Buckley album, and based on my first experience with him, it's fair to say my expectations were LOW. So I have to report that I am pleasantly surprised by this album. It's kinda catchy, even if there are some really weird, out-of-place vocalizations throughout the album. But it's only, like, 39 minutes long, so hat tip to Mr. Buckley for that.

Overall, especially with how sick I am of 60s/70s rock albums, this was a fairly enjoyable listen.

I'm actually not sure if I *dislike* anything about this record, but I'm not exactly sure I *like* anything about it either. It just kind of wanders aimlessly for me, with none of Buckley's interesting songwriting skills on display and no instrumental passages that offer much in the way of signifigance or memorability.

2.5/5

This was really disappointing. I was a big Jeff Buckley fan in the 90s. People always said "His father Tim Buckley was even better! A musical genius who died too young." I always just accepted that as a well-known fact. But I never got around to checking it out. Today I learned that he was just run-of-the-mill early 70s rock. I've heard hundreds of small-town bar bands that make basically the sand music.

I won't be listening again in a hurry

Nada, no lo voy a puntuar mal, pero no me ha interesado nada. Le puse interés, más bien por ser el padre de Jeff que por mérito propio, aunque al final no me ha interesado. Intentaré oír otros trabajos suyos.

A little more pleasant to listen to than his earlier work, but that comes at the cost of sounding a lot more cliché. I didn't really enjoy his earlier albums, but they had their own distinct sound to them. This album sounds like a knock off of any number of bands combining rock, funk and soul at the time. Looking at the wikipedia-page and other sites, this doesn't seem to be a very influential album of his either. I think it was a boring listen, not one I'd return to.

Kelpo jamittelua! 3/5

Ich fühle mich molested

"I'm Horny: The Album"

tem uns instrumental bem massa
no mais não fede nem cheira. é só mais um branquelo tentando fazer funk.