This album is fantastic but... of course, it's Madonna. It's great how in this album Madonna explores also new sounds and introduces more experimental aspects to her music, which was something that she started introducing even back to Like a Prayer. In this album there's place for more atmospheric tracks (Paradise (Not for Me), Impressive Instant), other folktronica ones (Gone, Don't Tell Me), as well as others heir of the (great) Ray of Light album, which is no coincidence at all (I Deserve It, Amazing), and club ones (Music, Runaway Lover), without losing any coherence. I absolutely love this album, I'm not going to hide it, and I would say it's one of Madonna's best, so diverse yet really well condensed. Madonna's music is often underrated, being her character/persona and performative skills more valued more and over her music itself. However, she is so fresh to deliver new sounds and adapt them to her music, always with a personal touch. This album is one of her most "pop" records, but still has her interest to dive in new sounds, and they match so well her style. For something she is called the Queen of Pop, she is so great at making very different albums from each other without losing her essence, and this Madonna period is one of her most creative ones. It's electronic, but also very human. It's fun, all the contrary to Ray of Light, it's an escape, a way of thanking music for what it's done to her and how it acts in our world, as a way of expressing ourselves, of freeing ourselves, of uniting ourselves.