Reviews by ron_penis

6 years on from live at the witch trials they appear to have mostly abandoned the freewheeling air that was about the only they had going for them, while mark smith has committed to keeping his vocals solidly in the "forgettable to grating" range

this era's leonard Cohen was extremely good at doing what he did, which was mostly writing sparsely instrumented, fairly languid folk songs. unfortunately, that's a style of music that just doesn't jibe with me. that being said, this is a very good, brisk album, and "a bunch of lonesome heroes" is about as close to a banger as you could hope for from early leonard Cohen

i was aware of this album but didn't think i had ever heard any of it, but turns out i was wrong, I've heard several of these songs.... over store PA systems. which to me is a pretty good summary of the whole thing: pretty pleasant, some catchy stuff, and it's got pretty broad appeal, but the flip side of that is that it doesn't have any weird hard edges or big swings for me to latch on to. it's fine, but doesn't leave me with any really strong impression

SpiderlandSlint

Rated 8/10

based on the cover and time period i was expecting something whiny, maybe smashing pumpkins-adjacent, so the general inventiveness and atypical rhythms and structure were a very pleasant surprise, although i can't help but think I'd enjoy it much more as a purely instrumental album

personal fav, absolute classic, 10/10 if you think this is like "being yelled at by your girlfriend" I'm sorry that you hate women

what were they putting in the water in the 2000s that made all these dudes want to produce the most corny, lame and unimaginative music possible? music to watch paint dry to

desperate youth, bloodthirsty babes was interesting and weird but not my cup of tea, this is just some barely-more- interesting-than-average indie rock with some pretty consistently aggravating vocals

i have no problem believing this was important and influential at the time, now it's just kind of limp and unremarkable

MicroshiftHookworms

Rated 4/10

perfectly emblematic of the bland, shallow indie pop rock the 2010s were so good at producing. even if you haven't heard this album before, yes you have

I've always hated these guys and their awful cover of tainted love. sure, it's maybe not as bad as Marilyn manson's version, but it's still a crime that this limp, lifeless garbage is more well known than Gloria Jones's amazing original, not to mention it's always corny, cowardly and just downright lame to change the pronouns/gendered nouns in a song you're covering

besides my personal axe grinding, it's just more weightless, grating, and ultimately forgettable, english synth pop new wave bullshit. yawn