Rated 10/10
From start to end, this album is a masterpiece. 5/5.
Rated 10/10
From start to end, this album is a masterpiece. 5/5.
Rated 6/10
This album is pretty good. The jazzy elements have really stood the test of time, but the flows and lyrics haven't aged as well. 3/5.
Rated 8/10
I've listened to this album for almost 15 years now, and it has stood the test of time well. This album isn't necessarily cohesive, and instead comes off similar to it's album artwork - a series of loosely connected vignettes with similar themes. Yet it's through this style that this album stands out amongst Radiohead's catalogue of more seamless albums.
Some of the tracks are not as strong as others given this style of delivery, which lowers the overall score a tad, but all around an iconic album and a unique one in Radiohead's discography. 4.2/5 -> 4/5
Rated 6/10
That album was some o.k. blues rock. Better than being forced to listed to racist clapton. Not too bad. 3/5
This album was a really cool experience, and it's history really earned it the rating. I love the energy that these guys inspire from the crowd, especially during that insane sax solo on Diminuendo in Blue (the best song on the album). I really felt like I was transported back to this Jazz club. Very impressive album that I'll check back on for years to come. 5/5.
Rated 6/10
This is a good album, but it's really held up by Turn to Stone and Mr. Blue Sky. I also like the song Believe Me Now, though it's too short. Most other songs are meh or uninteresting, though Jungle is just plain bad. 2.5/5 -> 3/5.
Rated 6/10
I read the entire background of this record, and while it sounds impressive and really feels like the stars aligned to make it, it was just relatively drab. His piano playing must be more technical than I can perceive, because oftentimes I found specific passages oversimplistic and repetitive. These passages were so cheesy they sounded like they could act as the opener of an 80s sitcom. I also had the weird grunting and breathing sounds throughout the album - very immersion-breaking.
I'll give props for the accolades this album received and the unlikely way it was recorded, and acknowledge that many of the passages were more interesting and technical. But I can only go to a 3 for it's shortcomings. 3/5
Rated 6/10
This album had some good spots, but generally this is utterly forgettable and not ideal for a list of this magnitude. Some good songs and bass riffs though. 2.5/5 -> 3/5
Rated 8/10
This was exciting to see on here - I'd heard good things for years.
All in all it's a pretty strong album. Green Light, Homemade Dynamite, Liability, and Sober 2 through the end of the album are amazing. Sober, the louvre and hard feelings aren't all that great. Not perfect, but great listening experience. 4/5
Rated 8/10
Honestly, I've listened to this a number of times over the years but this time I was surprised. I think I usually make it through the first half of the album, which is certainly "catchier", but the real quality of this album comes from the second half. Us V Them, Watch the Tapes, Sound of Silver and NY really elevate the album experience. Especially Sound of Silver which probably became my favorite track. While it's not perfect (the minimalist electronic instrumentals are more of a hinderancs in some places than a boon), still a really solid album. 4/5.
Rated 6/10
Some really good punk rock. I've listened to this before and yet didn't recognize too much of it. There aren't too many hooks. But I like the vocals and instrumentals. It's weakest point is there isn't much distinction between songs sometimes. Otherwise not bad. 3/5
Rated 6/10
I'm always praying that I've listened to my last Neil Young album on this list, and am always disappointed.
Another basic-ass boomer rock album. 2.5/5 -> 3/5
Rated 6/10
This album surprised me, and not in a good way. Their subsequent album Violator is perfect, 5/5. This one suffers from forgettable songs, uninteresting instrumentals, and an ok vocal performance. I can only really give this a 2.5/5 -> 3/5.
Rated 6/10
I really, really like Ege Bamyasi by CAN which came out a year earlier. I feel like it has superior balance when it comes to catchy hooks and Krautrock instrumental passages. This album has a bit too much of the latter, making the album more of a jam session. Unfortunately, I can only give this a 3.3/5 -> 3/5.
Rated 8/10
This was an interesting one. I found some of these moments transcendent. Others I felt like there could have been more drum presence to up the stakes as the song went on. Regardless, this album definitely got my attention and was a strong shoegaze presence. 3.7/5 -> 4/5
Rated 6/10
This album was pretty solid. Fairly distinct tunes with a great singer and a unique sound. Lovefool is a classic and I liked Your New Cuckoo as an opener. 3/5.
Rated 4/10
I'm a big grunge fan and hoped the pregenetor of the genre would be more standout, unfortunately the lo-fi garage aesthetic with meh sound construction and weak vocals across the board really didn't do it for me. Where is my mind is ok. 2/5
Rated 8/10
Debut is a very special album. It certainly has a feeling of Bjork finding herself after the Sugarcubes era, exploring a number of styles and genres. The result is a bit messy, but certainly prevews the incredible talents that would make Homogeneous, Vespertine, Biophilia and Vulnicura (albums closer to a 5). For this one, 4/5.
Rated 10/10
This album is a classic that I've listened to for years. It's well sequenced, has good balance in song type, and has great hits. The album art is phenomenal. Some of the songs are a little forgettable, but this album mostly does a perfect job. 4.5/5 -> 5/5
Rated 8/10
This album really impressed me. I love the songs where they have more of a hard-rock lean rather than a blues-rock lean. Highway Star is a great opening track and Space Truckin' is a good closer. Smoke on the water is a tad overplayed and simplistic but still good. The only song I wasn't a huge fan of was Lazy. All around great album. 3.5/5 -> 4/5