Reviews by uhhhellurr

yeah this was pretty great. his flow is pretty unmatched and you can tell the amount of effort he puts into his craft, it really pays off. the production on this album was also great. dr. dre has still got it. overall, a very enjoyable listen. i can see why this album is so highly regarded.

This album was alright, there was something about it that didn't quite move me. Not sure, maybe I just wasn't in the right mood for it today. It was fine enough, good even, but some of the lyrics were kind of vulgar in a childish way - something that rubbed me the wrong way a little bit? Not sure. I'm not a prude, but I felt like it detracted from the music a bit. Still, all and all, an alright time to be had.

hey i gave it a shot. did not enjoy my time with this one. this really was not for me. just really the antithesis of music that i like to listen to. the growly noises, the vocals, the instrumentals. mr raggedy man, lmao seriously? i feel like half of this album's lyrics were literally just like "fuck you, you [slur]"

there really is nothing for me here. sorry!

i'm not normally an electronic music person but, yeah, this was pretty fun. i went into this feeling pretty cynical as most electronic albums i've run into so far have been really not my thing, but i was pleasantly surprised by this. engaging throughout and fun to listen to.

yeah so i think this one isn't for me. i am not adverse to folk, or weird voices, in fact, a lot of the music i enjoy fits those categories. there's just something about the songwriting here that does nothing for me. mostly i don't think it's awful, but sometimes the songwriting made me make a (not good) face. just not for me, i think

not really sure why this album gets the hate it does. sure, on its face, it is pretty nonstandard, but it's not totally out there and the sounds on it are pleasant and i find the time signatures pleasant and engaging. overall, i found it a pretty alright listen. something i could see myself coming back to in the future. i think to appreciate this album, you need to be willing to be challenged (only just a little bit imo), and i found the challenge to be fairly fulfilling. not my favorite album of all time, but an interesting and fun listen for me.

before listening to this, i knew 'highway star' and obviously 'smoke on the water' - 'highway star' is as killer as ever, i think it's a very good song. but unfortunately, that's where it ends for me. the rest of the album did not do much for me. it's not bad, i just found it fairly uninteresting. i don't mind bluesy hard rock, but this was pretty formulaic to me, not much going on. the organ playing throughout the album, however, was great and fairly unique. but otherwise, i feel like there wasn't of much interest to this one.

based on their big song off this album, i always kind of thought that their style was kind of ironic, distilling the most over the top parts of 80s rock to it's most brash and flamboyant, much like their delivery on 'i believe in a thing called love' with big wailing guitars and soaring falsetto. in listening to the album, this came across less ironic, more like an actual, genuine tribute to this sound. it's a lot less goofy than i was anticipating, something i've always sort of felt about 'thing called love.' that's not necessarily a bad thing, just not what i was expecting. that being said, the big song is the best song on the album by a long shot, the rest are alright but really just come across in a 'get born - jet' kind of way, that early 00s retro fetishism sound. which, as i've said, is fine, but just purely fine in this instance.

yeah i mean this was fine. pretty mid. not particularly mindblowing mid-00s indie. not bad, alright to listen to. not something i think is particularly interesting. it's actually so not particularly interesting that i am wondering why it's even on here to begin with. like i said, not awful, but i can't imagine anyone listening to this and thinking this is one of the top 1001 albums of all time.

a pretty fun, danceable album. i knew d.a.n.c.e. beforehand, but nothing else on the album, so i was hoping it would be along the same lines - and it was. was fun, not particularly mindblowing for me, but a fun time overall.

this album is another well travelled album for me. i think pretty much every song on this album is at least solid, i don't think there's a bad song of the bunch. it's still as fresh as i imagine it was when it came out. the famous songs are great, and i think the album cuts are also great. just a fun album from front to back.

a pretty serene album. the instrumentation is nice, but nothing special. nico's vocals are an acquired taste and i don't mind them, i don't shy away from unique singing voices, but i just feel like her voice gives this album a monotonous feel that might have been manageable, except for the two 7+ minute long songs that did not need to be that long. don't get me wrong, there are some nice moments on this album - the fairest of seasons, these days, i'll keep it with mine - i just think there are better folk albums from the era that are more interesting. in my mind, the only reason this album is relevant at all is her connection to the velvet underground/andy warhol, because i don't think its merit is necessarily based on the quality of the album.

what can i say, it's a stone cold classic. it's hard for me to give proper analysis and takes because i've listened to the beatles my whole life and i am extremely biased. but i love this album. lots o tambourine, lots o organ, some of the beatles' most underrated songs are on this. one of my favs!

the thing i really like about lou reed's music is that is just oozes cool and has a really biting sarcasm that adds to it. i think the production here is fairly plain, but i think that just amplifies his singing delivery and his lyrics. i knew the big song off of this one and a handful of the album tracks, but had never listened to this one in full. i really appreciated this album. i don't know how to describe it fully, but i feel like things lou reed touched just have this inherent coolness, and the combination of lou reed and david bowie just works so well and accentuates this.

what can i say, this is a classic. by today's standards, it's a bit antiquated and dated, but in my estimation, this is one of the foundational building blocks of rap. and although i am not a huge fan of rick rubin's production in general, it is undeniable how dynamic his early rap productions were. these songs are bombastic and in your face, and that makes for a really fun listen.

i've been aware of system of a down but i've never sat down and listened to them. i didn't know what to really expect, but i came into this one pretty reserved because similar music doesn't really tend to be my thing. however, i was really into this one! fun and loud and aggressive and kinda goofy in the right way. never a dull moment, just a fun thrash throughout. i definitely feel like i could listen to more of them!

ok i will admit up front that even though at the current place in time, i find eric clapton pretty morally reprehensible, particularly after the last handful of years, not to mention all of the questionable-at-best stuff he's done in his past. but i also was a HUGE cream fan in high school, so even though i dislike him, i do have a little bit of a soft spot for some of his music.

that being said, this album is so blah. it starts off with a bang, with motherless children, as much of a facemelter as eric clapton has ever made, and then immediately gets sedated into the most mind numbing, boring, middle tempo bullshit you've ever heard, including two TERRIBLE non-blues covers - the most limp-dick cover of willie and the hand jive you will ever hear, and i shot the sheriff, which like, just listen to the original. don't go to eric clapton for reggae (to be fair, it is not even closest to the worst clapton reggae song i've ever heard - that award goes to his cover of knockin on heaven's door, which is abysmal). let it grow is the longest song on the album and it sounds like a carpenters song! lmfao. this album has no balls whatsoever

keep in mind, this is his studio follow up to derek and the dominos! apparently this is his first album after kicking a heroin habit. i guess he also kicked making interesting music too. if you want to listen to good clapton, seek it elsewhere. this is not it.

yeah this was pretty great. i'm not a big rap guy but there were several songs on here i already knew before this. the quality of the rapping and the beats/production were great. the skits were kind of corny - we don't have to talk about the restaurant one... but otherwise OK. overall, I really enjoyed my time with this album!

this was a great album. obviously knew the two big songs off of this one already but didn't know the rest. I mean, it's not like it was out of left field, if you know what tom petty sounds like, then you know what tom petty sounds like. but I appreciate his style and his influences, so overall, I really enjoyed this one

yeah this one was not really my thing. the problem for me is that this album seems like it was made to be unpleasant sounding and i think that's the point. unfortunately for me, unpleasant to listen to is not something that i enjoy listening to. a lot of the music is dissonant. the vocals are a bit nonchalant, but also have a bit of a sneer. that's fine. it just doesn't resonate well with me. not my thing