Songs in the Key of Life

4.5/5

Beautiful album

Excellent. Should probably be a 5, but just too many songs.

Solid Stevie. Still nothing that tips into the 4+ range for me. 3.5/5

Ok

Pretty good. Great voice, great lyrics, groovy and fun instrumentals. Nothing not to like, but for me, just not the exact style of music I listen to. This is about as good as a album can get without me wanting to come back to it. Maybe a song here and there, but not the whole album again. It's also iconic, so bonus points there for what it's worth.

Great performance. Highly influential. Super boring for a lot of the double album.

I’m not a big Stevie Wonder guy but this was pretty good. I like his more uptempo songs, the funkier ones and ones with horns. The ballads/“message” songs were boring and cheesy. Also, while the album length never got excruciating I still think this could have been way shorter. First thing he could’ve done is cut out the 3 minutes at the end of songs that were just repeating the same thing over and over. And the kids yelling the skin colors of famous people was unnecessary. We got the message of the song from the song, it wasn’t subtle, none of his message songs are subtle.

Wow, so many notable songs came from this album. Also I had no idea that Gangster's Paradise was built off of a sample, a sample from Stevie Wonder no less.

Alright, my second Stevie Wonder album, and it's the big one. I'll keep it short, this probably isn't my favorite album of all time or anything, but after listening to this I think there's an argument that this is the greatest album ever. And I really can't think of anyone off the top of my head who I think is "better" at music than Stevie Wonder. Like the magnitude of the accomplishment here is not lost on me. This is basically as close as anyone has ever come to just like creating 21 consecutive, perfect songs. And it keeps the quality up for longer than many feature length films. The only "complaint" I have is that after the magnificent Love's In Need Of Love Today, we have a few weaker songs before getting back up to speed. Weaker is relative, Have A Talk with God, Village Ghetto Land, and Contusion are still better than many artists' best, it's just that after this run we get Sir Duke immediately and you remember how the rest of this album sounds. These songs manage to be so complex and groove *so* hard, it's frankly improbable. And every once in a while, Stevie Wonder realizes that he's found a groove so good that he just has to ride it out for like three minutes: and he's always right. Additionally, I just learned that Gangsta's Paradise is an interpolation, so that rocked my world quite a bit. But yeah, this is pretty much just immaculate, damn near perfect for way longer than should be physically possible.

Sometimes traumatic events happen that can affect your whole life. A kind of PTSD if you like. For example being soaked in a tent for a whole week can make one never want to visit the Lake District again.

‘I Just Called To Say I Love You’ is singularly the worst pop song ever released. True, there must be worse that never charted and saw the light of day. But this bastard song got to number 1. There must be some sick record buying fuckers out there. And that clouds my judgement of Stevie Wonder for all time. So today is going to be a traumatic day.

So in reality the trauma lasted more than a day because ths record is so damn long.

I concede there are some good songs on here (and some bad - Village gheto, Knocks Me Off.. ). Also a lot of hits. But every song seems to have the life squeezed out of it. Most of them overstay their welcome. The album could be literally 20 minutes shorter without the self congratulatory outros.

Conclusion. Pretty good. But not as good as everyone would have you believe.

And No I do Not want to hear a recording of your baby in the bath

'It's that love's in need of love today / Don't delay, send yours right away.' This record confirms that the 'key of life' is 'love.' Just as Joyce's Ulysses is the greatest novel to explore the various manifestations of love (uttered: 'love loves to love love'), Stevie's essential double album is, for my money, the best of all to browse the many incarnations of love: sexual love, familial love, self-love, faith & love, love for community, love for humanity, love for music ('Sir Duke'). At an hour and forty-four mins, it's not only not too long - it could be even lengthier. The genius displayed here is startling infinite. And a divulgence: Stevie Wonder is a witty and quotable lyricist: 'Since one ain't good enuf for you / Then do yourself see how you do.' Lovely, no?

4.5

It’s just music that makes you feel good, you know?

I will say, 1 hour 45 minutes is toooooo long, so I’m taking away half a star. But I’m giving it right back because I just happened to check Wikipedia while listening to Isn’t She Lovely and learned that it was written about his first born, which made me tear up because my first born went away to college last week and I love him so much and I’m so sad and excited for him at the same time.

It’s the greatest album of all time.

I knew it was going into it, and even with the last 597 albums I’ve listened to occasionally leaving me mesmerized beyond belief, it only took one more listen of this piece of art to remember that it is, indeed, the greatest album of all time.

The first time I heard this album in full was around 2013. My musical journey, in many ways, begins around that year. Sure, I’d heard music all my life, but I wanted to really, truly dive into it and finally figure out what my tastes were really aligned towards. I did that the way any absolute moron would at the age of 13: I made a Pandora account and let the radio station play, liking whatever I liked and disliking whatever I didn’t. I let the algorithm send me along, even back then. Obviously, that strategy’s a little loose, but I’d honestly recommend it; I think it’s much easier for a younger brain to digest individual tracks for a while, to let the seeds plant in and really figure out what constitutes “good” music to them. I figured out that I really liked pop music, but along the way, a lot of 70s & 80s stuff popped up. Obviously, this “Stevie Wonder” guy showed up eventually, and while I knew him by name as that blind guy who makes music, I think the chemicals in my brain fundamentally changed the second I heard “Sir Duke” for the first time.

“Sir Duke” is a perfect pop song. No ifs, ands or buts about it – if you want to study any singular track in history to figure out pop structure, you have to listen to “Sir Duke”. I’m fairly certain that was the catalyst for me to sit down and listen to “Songs in the Key of Life” for the first time, but not before getting through the vast discography of this other guy called Michael Jackson, of whom we happened to get “Off the Wall” from just yesterday. Unbelievable back to back pulls. Whenever I got around to “Just Good Friends” off of Bad, I figured I was in for a real treat by the time I’d loop around to Stevie.

So, after looping around, I chose to go straight into this one. Gotta tell you; maybe not the greatest move to have your first Stevie Wonder album be this one. I felt overwhelmed back then by the size & scope of it, and with my brain much more attuned to poppier stuff, I remember really getting into the first side of the album, but just feeling drained by the second half, since it all just felt so long. Michael’s stuff is usually snappy, constantly hitting you musically, and while this album occasionally did that, its artistry was lost on me, due to a general lack of just worldly experience & a brain not ready for it. I still liked a lot of the album, but I don’t think I truly got it.

Fast forward to… I want to say 2017 – I’m not sure exactly why I wanted to listen to the album again, but with a LOT more experience with music (especially with more of Stevie’s singles prior to this album) & a bit more worldly experience to pull from, I fucking got it. Everything about the first side of the album clicked in full, from an instrumental, vocal & lyrical standpoint, and I felt HOOKED to it. And yet, for whatever reason, a lot of the second side still didn’t click with me as easily. I’ve checked my playlist on this; the only songs I had from the second side were “Isn’t She Lovely”, “As”, & “Saturn”, with “Another Star” not getting added until *2023*, BY ITSELF, without the rest of the second half in tow. I’m guessing I heard it from Spotify’s radio feature and added it to a playlist, but I can’t believe I left so much of the second side untouched until now. What the hell was wrong with me, man?

So, that brings us here. August 20th, 2025, with 597 albums done in this project, a UNIVERSE of musical influence brought into my stratosphere that’s expanded my tastes to the fullest point they’ve ever been, and another crack at an album that I had already proclaimed, on several occasions, to be the greatest album of all time from the greatest recording artist of all time. I made a post on social media years ago saying it’s an album that needed to be taught in schools. I stand by that, by the way. Trust me, I got through the first half the same as I always did, with a newfound appreciation for the second half of “Ordinary Pain”, which I had always been a little bit iffy on, and “Isn’t She Lovely” was as lovely as it’s always been.

I have no earthly idea how I managed to ever bounce off of the stretch from “Joy Inside My Tears” to “If It’s Magic”. Sure, you could call it a little long, but I got deeply lost in the rhythm of “Joy Inside My Tears” in a way that felt like listening to “Hot Buttered Soul”. “Black Man” feels so culturally relevant with the 250th coming up, and with so much more history in my brain, the references finally clicked on this track, making the whole thing feel so much more fulfilling. Because of all the worldly albums we’ve been getting, the samba grooves of “Ngiculela - Es Una Historia - I Am Singing” felt far more grand to me than before. “If It’s Magic” has such lovely lyrics & one of the prettiest harps I’ve ever heard, and the way it thematically links to “As” is something I’ve never appreciated until this listen. I finally appreciate “Another Star” within the context of the album, and how it just blasts that fucking Latin disco groove for its final 4 minutes in a way that feels utterly infectious… ugh. What a bow on the album, if you choose to end it there.

However, I do think this album would be incomplete without the “A Something’s Extra” part. I fucking adore “Saturn” – one of my favorite Stevie Wonder tracks of all time, and arguably more relevant than ever. I had entirely forgotten about the next two tracks though. “Ebony Eyes” is groovy as hell, with a lot of Beatles-y DNA, and it feels like a leftover Innervisions-era cut because of the talkbox being used. “All Day Sucker” is a really good track; it feels like one of Stevie’s ‘80s tracks (specifically the style he would take by “In Square Circle”), due to the bass & synth work. Ironically, a lot of the DNA of that track feels like it was used for “Just Good Friends”, so maybe Michael REALLY liked that one. I did remember the overall harmonica-driven lo-fi tone of “Easy Goin' Evening (My Mama's Call)”, but hearing it as the true album closer here… man, it just evoked a whole world of imagery to my brain that my 13-year-old self would’ve never once come up with. It is a perfect way to end an album titled “Songs in the Key of Life”. Life is tiring & exhausting, as Stevie’s been singing about the whole time. Sometimes, you really appreciate it in the moments where you can just sit there and soak it all in. That’s what the track is trying to represent, and it clicked beautifully this time.

So, yes, my 12-year odyssey with this album finally feels complete, and I can indeed confirm it’s the greatest album of all time. I can’t possibly put a number to it; obviously, it’s a 5 for the site, but in terms of a rating… you can’t rate this. You can only sit back, listen, and get lost in it. I still think it can be taught in schools, the same way we teach books, and if we all took the lessons of this album to heart, we’d be living in the utopia that Stevie seemed so hopeful we could achieve at the age of 26. Oh, yeah, I forgot to mention: he was *26* here. He wrote the greatest album of all time, as a culmination to an already incredible stretch of albums that could singularly define anyone’s career by themselves, at the age of *26*. Unbelievable. Even with his output slowing down by the ‘90s, I really think there’s a case to be made for Stevie Wonder to be the GOAT. It’s been 20 years since his last album, and while he’s still performing, I feel like he can give us at least one more album. We need his insight now more than ever. As far as this goes, we are coming up on the 50th anniversary of this album next year, and I can only hope it receives a rose parade’s worth of flowers when the time calls for it. It’s a masterpiece, and to my ears, the pinnacle of an entire art form.

I cannot wait for our next album to be just the worst thing ever. Or, hell, I dunno, maybe we’ll get Thriller & I can write another essay’s worth of words.

é o DÉCIMO OITAVO album do mano. pqp
imagine vc lançar uma pedrada dessas no décimo oitavo album vsffffffff!! não só isso, mas a sequencia dos albuns dos anos 70 do mano são todos brilhantes.

esse aqui eh o perfeitinho, redondinho, no ponto, pra ninguem botar defeito memo, ce ta maluco. lindíssimo, escutarei mais vezes!

Such an incredible album! I find some of the ballady ones get a bit long and self-indulgent, but the more funky tracks are superb. Sir Duke, yes siree!

načelno jako dobar album s dosta dobrih stvari. nije za mene u svakom slučaju. al malo je predug i neke su stvari slabije, mislim da je mogao biti još bolji da je nešto kraći

This album is such an achievement. There’s loads of stand-out songs on here, but the rest of them are consistently good as well. He has such a lovely voice, but musically there’s tons of creativity and variety across the board. To create a double album of such consistent quality and variety is seriously impressive.

Every song a banger. Sensational.