Reviews by abitfishy

Highlight Song/s: Little Red Corvette

My first Prince album. The Minneapolis Sound is definitely quite peculiar sounding. One big thing I don't like about this album is that everything about it is overly long; the song length, the album length and the same synth going over and over again. Making the long album even more tedious than a 70 minute album would normally be. I truly do hope the other albums aren't as egregious. Especially "Sign 'O' The Times." And did they REALLY have to put a woman moaning in "Lady Cab Driver?" It comes off incredibly trashy. Basically I'm nitpicking every little bit and piece, because just I didn't enjoy it. It isn't bad, but it ain't for me.

Highlight Song/s: People Hold On

This one sadly isn't on Spotify. Anyways, this is some cool dance music. I have previously heard "People Hold On" from Grand Theft Auto IV, It did sound familiar, but I couldn't put my finger on it until it JUST clicked.

It kind of went all downhill from "People Hold On." Not a fan of the futuristic sound or the production. The first track kind of mislead me, thinking it be straightforward Disco. But no! Completely obnoxious sampling instead is what you get. Complete utter garbage, just the same thing going on and on for 5 minutes straight. The last couple tracks did it in for me.

Highlight Song/s: Memories Can't Wait, Heaven and Electric Guitar

My first Talking Heads album. I have previously listened to their song "Psycho Killer" and I remember not liking it, but I can't even remember how it goes. So it's practically my first time. Anyways, the band has such a unique sound, this dance sort of sound, with the ringing guitars of post-punk and funk basslines.

David Byrne's voice - at least his singing voice - reminds me a lot of Berlin Trilogy-era David Bowie. He also has some quirks that remind me a lot of Bowie.

It was quite difficult to try to get into the album. I will try again when their other albums come along. And maybe, just maybe, It will hit, or maybe it just won't.

Highlight Song/s: Love Her Madly, L.A. Woman, Hyacinth House and Riders on the Storm

L.A. Woman 1: Music for Bars, is my second Doors album from this generator. Morrison Hotel being the first one. This album has a nice atmosphere to it. What I imagine is: people sitting at the most crammed bar ever ordering shot after shot, the piano man in the corner jiving along to his own tune, with people dancing and prancing to it, with the clink of the glass because of people doing cheers. You get the point.

First things first, -the bass guitar on this album is stupidly good, the Doors really should've had a full time dedicated bass player, but the session musicians they picked were always beasts so I guess it doesn't really matter; just means their concerts were a bit underwhelming in the bass department.
-Their guitarist Robby Krieger is a pretty sweet player, playing soft and hard when needed. Guitarists don't always need to play 100%, 100% of the time. Sick tone, sick playing.
-The drummer John Densmore is another underrated musician, my particular favourite playing is probably the title track, it seems quite stuttery but It has a strong charm to it. Another good part is the last 30 seconds of "The WASP."
-The keyboardist Ray Manzarek is in my mind similar to to the bass player, where if it wasn't on the album then it wouldn't have the charm and atmosphere. "L'America" wouldn't nearly sound as haunting without the keyboards; nor would their early stuff - i.e. self-titled and Strange Days - sound like that.
And finally -their lead singer Jim Morrison with that bluesy voice of his, stringing all the instruments into place. Doesn't really need anymore said about him (mainly because I can't think of anything else to say equivalent to the other band members.)

Highlight Song/s: Wanted Man, San Quentin and A Boy Named Sue

What a nice country album. I love the twang the guitars have and that nice rhythm classic country songs tend to have.

Johnny Cash does some good banter on this album especially in the second half of "Darlin' Companion," which he uses that to transition into the next track "Starkville City Jail" which is some nice comedy country. Another part I like from the album is where he plays "San Quentin" twice, right AFTER each other. That is straight baller, Johnny really sticking it to the prison authorities. It's nice to see that Johnny Cash debuted I think 3? songs. Very solid songs as well.

I find "At San Quentin" a lot more sweet and comedic than "At Folsom Prison" which the latter exemplifies the Outlaw Country sub-genre, with murder, loneliness and anguish themes. I thought I wasn't going to like this album, because of other people's opinion, they made it seem very black and white. Just a reason why you shouldn't let those people corrupt your mind and instead experience it first-hand. Ranting over, this is a seriously solid album.

Highlight Song/s: Green Light

I convinced myself that I hadn't heard any of the songs on this album. But no, I've heard "Green Light" before; from the radio that is. Near the start of the album I wasn't too hopeful, but during half way through the album it got a lot better. Surprisingly solid lyrics as well, especially for a pop album.

Highlight Song/s: Complex, Films and M.E.

Very very mechanical sounding album, mainly due to the beat which chugs pretty hard on most of the songs. Some other stuff that makes it sound like that, is that the songs on this one are extremely repetitive. I do wish Gary made the album less repetitive, this is easy 5 star material. There is a certain charm to the repetitiveness, no doubt about that. But I believe for it to be a 5 star to me, it would've had to been far less monotonous.

Something that I noticed on a second listen to this album, is that it seems like the synths sometimes sounds like it responds to the lead vocals; like a call-and-response sort of thing. I for some reason with this album personify the synths as like a computer or a robot, and the sounds that it makes is it talking or a representation of an emotion. It really does help the futuristic sound that this album has going for it. When I think about it that way, it makes me feel like the synths have so much emotion on this album, its a nice contrast between the singing which is devoid of any emotion (on most songs.)

Highlight Song/s: Band On The Run, Mrs. Vandebilt, Let Me Roll It and No Words

3/4 solo Beatles listened and 4/11 total Beatles album (band and solo stuff) listened (I have listened to Revolver.) I wish the generator gods would bless me with another Beatles album. I'd do anything, literally anything.

I wish "Band On The Run" (the song) kept that riff ("am I ever gonna get out of here") around for the other parts of the song, they wasted it. It's insanely good and they just practically THROW it away. The song is still S-Tier, no doubt about that, but it could've been just a bit better had they used that riff just in another part of the song.

I like how eclectic this album is, some examples are: The multi-part song of "Band On The Run"; "Bluebird" sounded a fair bit jazzy; The percussion sounds quite tribal in "Mamunia"; "Let Me Roll It"; which has the most powerful chorus ever; nice power ballad that song is. And the beatles-esque song of "No Words."

Most of the tracks were pretty solid, the only song I didn't end up liking was the final track. Pretty solid album when all put together.

Highlight Song/s: Dead Embryonic Cells, Desperate Cry, Altered State

This is what I've been missing out on... These tremendously good riffs, absolutely amazing beat, Intelligent lyrics; and not just some demonic stuff. I really do need to lay off a bit of Radiohead and the Smiths and use that time to listen to some Metal instead, I really didn't know what I've been missing until now. I appreciate the album sounding really sinister without devil this and devil that. Not that it's necessarily a problem to me, but some people in extreme metal go full brain dead sometimes and can't write a song without mentioning Satan.

"Dead Embryonic Cells" having the words "I didn't ask to be born" I'm like damn, I feel that so much, and so deep. Seriously, I wasn't expecting those lyrics. They sound overly juvenile, couldn't they have chosen any other words?

Highlight Song/s: Show Me, Valentine's Day, Date Stamp and All Of My Heart

I'd reckon this would be a great soundtrack to some hypothetical movie. As probably other new pop albums would be, such as New Gold Dream by Simple Minds. These new pop albums that I have listened to thanks to 1001, are so strange sounding. I am not too sure what about it is strange to me. Perhaps it is the musical-styled singing with the orchestration and the disco beats all combined into one song/album.

Highlight Song/s: Send My Love (To Your New Lover), When We Were Young and Water Under The Bridge

I thought this would be special, but it really wasn't. Good singles, but the album tracks aren't noteworthy. This review will probably be similar to my next Adele album; whenever that comes around.

Highlight Song/s: Come On! Feel the Illinoise, Jackonville, The Man of Metropolis Steals Our Hearts

Very very whimsical album. This album has some sweet vocals, as well as some of the most calming backing tracks ever. I thought this album was quite silly with the extremely long song titles and the abundant interlude tracks but it was totally fine, especially the "One last "Whoo-hoo for the Pullman" which was an interlude right after the end of "Decatur." Which is literally a six second applause track.

Highlight Song/s: Ladybird (Green Grass) and Paranoia Man in Cheap Shit Room

I've heard on the internet Mark E. Smith is a bad singer, having only listened to their cover of "Victoria" (originally by the kinks) which I didn't feel like was representative of their work and sound. Anyways back to the topic, his voice is definitely an acquired taste, I quite liked his singing in the opening song. However on most of the other songs it's a bit too much talking. Not that'd he give a damn or anything, I think at this in point time his singing is just a bit better than Bob Dylan (Mark also sounds a bit like him as well.)

Highlight Song/s: Tarkus, The Only Way (Hymn) and Are You Ready Eddy

Side 1: What an experience the title track is; but I reckon that's the case with most 20 minute songs. I don't know where to begin how they would play this live, especially for a power trio. With them being a progressive rock band they probably found a way.

Side 2: "Jeremy Bender" lyrically reminds me of Lola (Kinks,) not sure if that's an correct assumption. But that's the impression that I get with all its confusing lyrics.
"Bitches Crystal" I swear I've heard this tune before or something really similar, perhaps a soul song that I can't put my finger on.
"The Only Way (Hymn)" sounds like a musical from some movie.
"Infinite Space (Conclusion)" that piano was keeping me on my toes on what will happen next with the song.
"A Time and a Place" is quite aggressive, shocked me a little bit.
"Are You Ready Eddy" seems quite stereotypical, I'm unsure if it's supposed to be a parody of rock 'n' roll or not. Whether it is or if is not, it rocks pretty hard.

Highlight Song/s: 21st Century Schizoid Man

This is one of those albums that I've been meaning to listen to, but haven't come around too.

Most of the tracks were fine to great, except for "Moonchild" for some reason that song triggered me with all those strange sounds around a couple minutes in. I can't explain it that well, but it made my blood boil for some reason

Highlight Song/s: On the Level and Traveling Light

I thought this was going to be your run-of-the-mill folk music, but no it isn't. I only have one big issue with this album is that I'm quite put off by his really deep voice. Like really put off by it, which makes the album difficult to get into.

Highlight Song/s: I Left My Wallet in El Segundo, Pubic Enemy, Can I Kick It? and Youthful Expression

This is a landmark album in hip-hop music. The production, the flow, intelligent lyrics and interesting wordplay. What I find kind of neat is that lots of the album seems to flow into each other, as it tends to say the name of the next song on a fair bit of the tracks; it gives it a little bit of a concept album feel to it.

This is a notable lack of Phife Dawg on this album, which The Low End Theory corrects that mistake. The jazz and rap combination is pretty unique for its time. It's like as if they are paying tribute to jazz, kind of similar to gangsta rap and funk music and its combination "G-Funk."

Highlight Song/s: Imagine, Crippled Inside, Gimme Some Truth and How Do You Sleep?

My 100th album from the generator! The album is quite melancholic and is sombre on most of the songs. This is album is great lyrically, nothing too bad is on here.

This one starts with the title track, which has lyrics that aren't asking for anything too much. For example It simply asks you to imagine a world free of religion, which some psycho decided that it was too much to ask for and decided to commit murder because of that song.

Highlight Song/s: Takeover, Girls, Girls, Girls (Part 1), U Don't Know and Renegade

This is my first good listen to Jay-Z. I had previously listen to a couple of his other songs such as "Dead Presidents II" and "Empire State of Mind"; I am a big fan of Dead Presidents. In other words I am saying that this review comes from a completely new perspective and not a Jay-Z fan perspective.

The production is pretty good, it makes some songs sounds really big and powerful (for better or for worse.) Jay-Z's rap and flow style is a bit difficult for me to get into; I am not too sure why. I don't believe it's something that I could come around to either. Not everyone is for everyone I guess.

The track that stands out the most is "Takeover" which is a diss track about Nas and Prodigy (from Mobb Deep,) one of my favourite hip-hop songs is "Ether" by Nas, so it was a bit of a surprise when Nas took the flow of the chorus "we running this rap shit" as the outro, I was like "Oh!, that's where the thing is from." Nas mocking Jay-Z by using parts of the his songs, reminds of Eazy-E doing the same thing with Dr. Dre and Snoop Dogg; mocking them and their songs "'Nuthin But A 'G' Thang" and "Dre Day" on Eazy's song "It's On." Conclusions for the song, It's not too bad, but it isn't as great as "Ether." Having had listened to both songs now, it has made me appreciate both songs and the entire feud with Nas and all the great songs that have come from it.

Highlight Song/s: Father To Son, The Loser In The End, Ogre Battle, The March Of The Black Queen and Funny How Love Is

Most people probably wouldn't have this in mind when thinking of Queen; heavy, proggy, fantasy lyrics and a bit sludgy at points. Definitely not much radio-friendly music is on this one. I never really thought they would be a band worth it enough to listen to any their albums, but this isn't at all bad; such a great album experience. Perhaps their 70s albums are worth listening to at first (if it were to listen through their albums.) 'A Night at the Opera' is also on this list, so I am looking forward to that now.

I know 'Procession' is technically the first track, but the first proper song 'Father To Son' is amazing, which is very proggy sounding. 'The Loser In The End' and 'The Fairy Feller's' both have a sick bassline, also the latter has an amazing beat to it. The stepping stone that was needed to create 'Bohemian Rhapsody' called 'The March Of The Black Queen'; which is a WAY better 'Bohemian Rhapsody.' 'Black Queen' then transitions into 'Funny How Love Is', which is one of the best transitions ever.