Rated 10/10
Like being wrapped in a blanket. Wonderful.
Rated 10/10
Like being wrapped in a blanket. Wonderful.
Rated 4/10
I remember this being a thing. Not overly keen though, there's little variety.
Rated 4/10
For the past 35 years, I honestly thought that the lyrics we're "shot through the heart, and you're too late, you need lovin', and band-aid." I thought this was very clever and ironic because, obviously, a band-aid wouldn't do anything for a bleeding heart. But it turns out I was wrong, and this album sucks.
Rated 8/10
The NME always put me off Soundgarden, presumably because they weren't British and ugly and terrible. But I feel like I missed out now, I love the range of Cornell's voice and the power of the production. It does outstay its welcome a bit though.
Rated 4/10
I had to wade through almost an hour of boring indulgence before I got to "Paper Planes," and even that song is basically a cover.
Rated 10/10
To be honest, I wasn't expecting to be a huge fan of this based on the overplayed "Superstition" and "You Are The Sunshine of my Life," but it really is an incredible album, flowing between moods and genres with ease. It sounds great and his voice is terrific.
Rated 10/10
Love the way the tracks merge into one another, perfectly executed.
Rated 6/10
Many tracks missing on Spotify, but what I heard was decent.
Rated 6/10
Not really my cup of tea, but enjoyable nonetheless.
People in the 60s clearly didn't know how to clap properly.
Rated 2/10
So very, very 90s. A man screeching over a drum.
The Beatles: 50% the greatest songs of all time, 50% chintzy whimsy that makes you want to thrust chopsticks into your earholes.
Rated 10/10
So enthusiastic and light and breezy.
Rated 10/10
As much as I like Bjork's solo work, this indie pop is a better match for her fiery vocals. An absolute treasure.
Rated 8/10
Surprisingly varied
Rated 10/10
I love the way Abba have gone from brilliant in the 70s, to cheesy in the 90s, and back up to brilliant now. Every song is perfectly written and flawlessly executed.
I hate "Come on Eileen," but I was expecting to be pleasantly surprised by this album. I wasn't.
Rated 10/10
Still great
Rated 10/10
Astonishing
Rated 8/10
I bought this when it came out, at the time house music seemed adventurous and mysterious, but Basement Jaxx gave it a geekier and more accessible edge. I think because Felix wears glasses.
There are some duff tracks, but there's just enough intelligence and sophistication here to elevate it above the standard Ibiza floor fillers.