Reviews by mark-bionix

The highs are really high here, obviously. It's fun and innovative, and there are cool sonic experiments. But there's also some kind of run-of-the-mill prog rock on this record that can be a little too much. On balance, a very good, not great album.

Had never heard of them apart from "Teenage Kicks," which isn't on this record. It's fine. Kind of grew on me the more I listened, but still found myself wishing I was listening to The Buzzcocks or something instead. The "Under the Boardwalk" cover is truly terribly, though.

Knew some of this music going in but was kind of mid on it. Got completely turned around. These reinterpretations take the songs (many of which are very good) to a whole other level. Absolutely fantastic Sunday morning music. (Have no idea why the book double-dips these two records; five stars is for the first one, which I think is a lot stronger and is the one most people think of when they think of this project)

PlayMoby

Rated 2/10

I admit some of this is fine for a passive listen, and it's easy music to plug into a movie soundtrack or whatever. But for real, this shit sucked 25 years ago and it sucks now. The worst songs are the ones where Moby does "vocals."

Not a big TVotR fan, but I did find many of the arrangements on here to be very interesting. Some of these songs are quite good, but also a handful of clunkers.

Ray of LightMadonna

Rated 6/10

We all thought Madonna was ancient when this came out, but she was younger than I am now. I liked this album in 1998. It was a cool departure from her earlier work and I enjoyed the nods to trip hop and other electronic genres that I hadn't been too familiar with. This was my first listen since around that time and I found the record to be really interesting musically, even though Madonna's vocals seem a little distant and disaffected. The album has a lot of strong songs, but could use a little bit of editing. I'd give 3.5 if they'd let me, but closer to a 3.