Rated 8/10
This was a great disco album. The bass was addicting and the vocals were beautiful and powerful. There were just a few songs that didn't grab much attention. Otherwise extremely solid. 4/5.
Rated 8/10
This was a great disco album. The bass was addicting and the vocals were beautiful and powerful. There were just a few songs that didn't grab much attention. Otherwise extremely solid. 4/5.
Rated 6/10
This album was purely ok. Few songs stood out and many were far too preachy, but not bad. 3/5.
Rated 10/10
D'Angelo is really beyond compare when it comes to interesting and catchy R&B. His more recent album Black Messiah won me over and is an easy 5/5 for me. Brown Sugar may be a bit more traditional, but the songs are catchy, and break the mold of what you'd typically think is an R&B song. I have few complaints about this album, other than it wasn't as experimental as Black Messiah (but BM came out almost 20 years later!) 4.5/5 -> 5/5.
Rated 6/10
A good punk album. The opener Betray was good, but the closer Cashing in was great. Some of the songs in the middle were same-y. I may listen again. 3/5.
Rated 6/10
A good, classic album with a few standout tracks. Chain of fools is always great and A Natural Woman was a great surprise. 3/5
Rated 6/10
I've listened to the album TNT a number of times over the past few years and always thought that something was... missing. That is also the case on this album. I prefer instrumental music that is either: dramatic, ear catching, bombastic (Lift Your Skinny Fists, Earth 2, Fashion Week); or more subtle (Music for Airports, any Time Hecker or Phillip Glass). This middle of the road music (Tortoise, Explosions in the Sky) always feels lacking. 3/5.
Rated 6/10
This was a pretty good 80s rock album. I appreciated that some of the songs had hook that I could see myself returning to. Not bad. 3/5.
Rated 4/10
Honestly, this album was an underwhelming bore. For an album that is so talked about and a cover that is so recognizable, I was truly expecting more. 2/5
...DOOKADOOKADOokadookadookadOOKADOOKADOOKADOOKADOOKADOOkadookadookadookadookadookaDOOKADOOkadookADOOKADOokadookadookaDOOKADOOKADOOKADOOKADookadookadookadOOKADOOKADOOKADOokadookadookadookadooka...
shit
1/5
This album had a lot of personality and soul, but was plagued by repetitious and drawn-out song structures. To make 20+ min songs interesting there needs to be a sticky moment that resonates with the listener and motivates relistening. This album didn't have that. A good listen generally but not one I'd soon go back to. 3/5.
Rated 6/10
This was an interesting listen. First, it was WAY too long, given the content (it was listening to the same album twice, essentially). I certainly prefer the second half of the album that is mostly in French. This is not the first case of releasing two versions of the same album in different languages, so I'm not sure why this is here. Side A: 3/5. Side B: 3.4/5. 3.2/5 -> 3/5.
Rated 10/10
Honestly, this album is pretty incredible. I hadn't heard anything from Nick Drake before, but the depth of composition on these tracks is impressive, his voice is great, and the album is well structured. I feel like this will be a common rotation for me going forward. 4.5/5 -> 5/5
Rated 6/10
This was an interesting listen. Cool In the Pool is an interesting juxtaposition with the other songs on the album. I like his voice, and appreciated the experimental nature of the album. Oh Lord and Persian Love we're not as interesting to me as cool in the pool and Hollywood. 3.4/5 -> 3/5
Rated 6/10
I've always liked the Knife, but this album never really wowed me. On relisten I wish there was more variety across the tracklist. Still good, but could be better. 3/5.
Rated 6/10
This album was good, though the singles really keep it afloat. That being said Shout, Everybody and Head Over Heels are bangers. 3/5.
Rated 8/10
A horrible album cover and name, but the Orbital folks have delivered another interesting album. The hypnotic beats and music keep me entranced. This will be good for working. 4/5.
Rated 2/10
This album was not for me. It's rare to hear LPs with such dry, uninteresting sounds. This has no personality and none of the songs stood out. I really don't think I can give this higher than a 1. 1/5.
Rated 6/10
I was excited to see this album pop up, as I knew Heads Will Roll and Zero well and really liked those songs. Unfortunately many of the other songs on this album pale in comparison. Good album overall, but I was expecting much better. 3/5
Rated 6/10
This album is pretty good. I like Yusuf's voice and some of the songs were really great (Where Do the Children Play?, Longer Boats, Father and Son). Others were pretty forgettable. 3/5.
Rated 8/10
Scott Walker is an incredible songwriter and composer. I've loved his albums Scott 3 and Bish Bosh, but this was my first time listening to Scott 4. I was definitely impressed. The layered instrumentals across the album were certainly embellished a bit from Scott 3, and the musical styling was more homogeneous than the chaotic mix on Scott 3. That being said, the small downsides of this were that the album was too clean, and the closer "Rhymes of Goodbye" didn't pack too much of a punch. All around great album though. 4/5.