Reviews by fique

Garbage – Garbage (1995)
On Day 134, I stepped into a darker, more noir atmosphere. It was definitely the Lynchian vibe, the album has a distinct mood that is both "glitchy and tuff. While I wasn't feeling every single track enough to call it a masterpiece, it was a "good listen" with some high-level technical chemistry.

The tracks that really stood out were "Vow," "My Lover's Box," and "Fix Me Now." Those are definitely ones I'll be revisiting. It’s a slick production that did its thing, earning a solid 4/5 and keeping the momentum high as I head into the next day.

Dusty Springfield – Dusty in Memphis (1969)
On Day 133, I dove into a soul masterpiece that lived up to the hype. The vocals are incredibly sexy and the entire LP is a great listen from start to finish. It has that slick professional polish but stays emotional.

Recognizing the sample from Common on "Son of a Preacher Man" was a highlight, but the deep cuts really carried the weight. "So Much Love" and "Breakfast in Bed" provided that sweet sound I was looking for, while "The Windmills of Your Mind" and "No Easy Way Down" were absolute standouts. It’s a cohesive, high-level project that earned its 5/5.

Suba – São Paulo Confessions (1999)
On Day 132, I had a bit of a mixed experience. While I appreciated the Brazilian layers, the electronica elements often felt like they killed the vibe rather than enhancing it. It felt like the production was fighting against the soul of the music, making it hard to fully immerse myself in the project.
"Felicidade" was the clear standout for me because it maintained that slick and sweet Brazilian sound I was hoping for. The rest of the album struggled to find that same balance. I was originally leaning toward a lower score, but after learning about the tragic circumstances of Suba's death while saving these master tapes, I have to give a nod to his dedication. A respectful 3/5.

The Beatles – Rubber Soul (1965)
On Day 131, I finally understood the hype. This album is a breath of fresh air and serves as the perfect introduction to the Beatles and the progressive rock genre. They didn't just sound ahead of their time; they revolutionized the sound entirely, creating a project that is perfect and cohesive from start to finish.

The highlights are endless. Drive My Car sets a sweet mood, followed by the sweet riffs of "Norwegian Wood." "Nowhere Man" tells vulnerable tale, and "Michelle" is quite simply one of the most beautiful songs I've heard (the best on the album imo). The harmonies on "I’m Looking Through You" and "In My Life" showcase an impeccable chemistry that gives the voice real weight. From the vocal range to the serenade tone, this is an absolute masterclass and a definitive 5/5.

Big Star – #1 Record (1972)
On Day 130, I reached a milestone with a "chill" but decent listen. You can clearly hear the Beatles' influence throughout the project, especially in the production and the vocals, which gave the music a high-level weight and a melodic feel. While it wasn't perfectly consistent from start to finish, the standout tracks were outstanding.

"In the Street" was a beautiful highlight for me, alongside the immaculate vibe of "The Ballad of El Goodo" and "Thirteen." I also saved "My Life Is Right" and "Watch the Sunrise" to the playlist. It’s a great example of songwriting that feels both great and nostalgic. A very respectable 4/5.

Gene Clark – No Other (1974)
On Day 129, I explored a record that was once rebuked by critics, which is absolutely nuts because the lyrics and the atmosphere are outstanding. The production is amusing and ahead of its time. It’s an ambitious project that definitely deserves more recognition.

I played the fuck tones out of "Lady of the North" the hook on that tune is great and "Strength of Strings" was another levitating highlight. While other tracks like "True One" and "Some Misunderstanding" were slick and decent enough to earn a spot on my playlist, the album as a whole sits at a very strong 4/5.

Pearl Jam – Ten (1991)
On Day 128, I was blown away by an absolute masterclass of a project. This album is perfect from start to finish it’s full of bangers with absolutely no fillers. Eddie Vedder’s performance is outstanding; his range is impeccable, with "Even Flow" and "Black" being perfect examples of his vocal triumph and the band's slick chemistry.

While the hits like "Jeremy" were great, I found that the deeper tracks like "Porch," "Garden," and "Deep" are total sleepers that deserve just as much praise. Finishing with the beautiful and levitating closer, "Release," made for a triumphant listening experience. This is a definitive 5/5.

U2 – Achtung Baby (1991)
On Day 127, I dove into U2’s big 90s reinvention. I enjoyed the album for the most part, and it definitely had some moments that were high-level. However, it felt a bit weaker in some spots with a few filler songs that prevented it from being an immaculate front-to-back experience.
"Zoo Station" and "One" were definitely cool highlights, but "Love is Blindness" was the real standout for me. The production is great and the technical chemistry is there despite exploring new sound, but because of those weaker moments, it lands as a decent 4/5.

Don McLean – American Pie (1971)
On Day 126, I sat down with a true classic of the singer-songwriter era. The album is great, to be fair, offering a great look at the loss of innocence in American culture. Unlike some of the lazy folk vocals I've encountered, the performance here is clear.
"American Pie" and "Vincent" were obvious standouts, but I also really connected with the conscious feel of "Till Tomorrow" and the "levitating" finish of "Babylon." It’s a decent and consistent body of work that hits the right notes without being boring, but it settles comfortably as a very strong 4/5.

Top – Tres Hombres (1973)
On Day 125, I took a trip through some Texas boogie. After multiple listens, I can say it was a great experience that maintained a solid groove throughout. The opening pairing of "Waitin' for the Bus" and "Jesus Just Left Chicago" was especially great the transition between the two is perfect.
Other standouts like "La Grange" and the closer "Have You Heard?" really hit the mark for me. The album is great, consistent, and has that blues grit that makes for a high-level listening session. While it doesn't quite reach a 5 for me, it’s a definitive 4/5 and a classic I’m glad to have finally heard.

Marvin Gaye – Let's Get It On (1973)
It really helps to try and creat the environment suitable for some sort LPs that I get to listen, not to say that I'm in sex right now but I'm pretty sure the vibe hit when you listen Let's get it on at 1:20 am. This shit sounds amazing NGL maybe it's the vibe I don't know, but I liked mostly Distant Lover, Keep Getting it on, Let's Get it on obviously, Come get to this, and you sure love to ball. these days I was heavy on Gaye especially Got to give up part I so it felt like it was more to what was there to love about Gaye so a 5

The Black Crowes – Shake Your Money Maker (1990)
On Day 123, I felt a bit mixed about this one. To be clear, it didn't sound bad by any means it has the vocals, the instrumentation, and the production you’d expect from a top-tier rock revival. The technical chemistry is definitely there.
However, despite having all the right elements, it didn't quite reach that 5-star level for me. It’s decent enough listen for a 70s-style rock session, but it lacked that extra layer of substance to make it a personal favorite. A solid, consistent 4/5.

Solomon Burke – Rock 'N Soul (1964)
For the record, I gotta hand it to Dimery, he does know albums I would regret dying with hearing and this is one of them. smoove soul and rock what can go wrong, a really good ol' easy listening that hits hard with wine you can't go wrong here. Cry to Me, Just Out of Reach, Goodbye Baby, If You Need Me, Can't Nobody Love You, Someone to Love Me and You Can't Love'Em All, was decent really great album to have the heartbreak on, serenade somebody with like it has it all. a 5 right

Motörhead – Ace of Spades (1980)
On Day 121, I shifted gears into some pure, high-velocity rock and roll. The album is definitely good, with energy and solid production that perfectly captures the band's grit. It did its thing from start to finish, maintaining a high-energy pace that avoids being boring.
"Love Me Like a Reptile" was a personal highlight for me, showing off that groove amidst the chaos. While the technical chemistry and Lemmy’s iconic vocal of attitude are impressive, it didn't quite have that extra something to push it to a 5 for me. A strong, consistent 4/5 to start the new decade of the journey.

The Pretenders – Pretenders (1979)
On Day 120, I hit a major milestone with an album that surprisingly blew me away. Everything about this debut came together perfectly: the melody, the groove, and especially Chrissie Hynde's performance. It is a perfect introduction that feels both polished and warm.
The tracklist is stacked with highlights. I’m currently obsessed with "Kid," but "Precious," "Tattooed Love Boys," and "The Wait" all delivered that decent energy I appreciated. Even the slick pop-sensibility of "Stop Your Sobbing" and "Brass in Pocket" felt immaculate and heavenly. I’m genuinely amused by how much I enjoyed this, it’s an outstanding body of work except "Private Life" but not enough for me to not give it a strong 5/5.

Violent Femmes – Violent Femmes (1983)
On Day 119, I closed out the week with a decent listen that maintained a good, consistent flow from start to finish. After the masterclass production of Led Zeppelin, this felt more raw. While I’m not at a 5 yet, the album definitely earns its spot in the rotation.

"Kiss Off" and "Promise" were the tracks that stood out most, though I feel like this LP requires multiple listens to fully grasp its energy. It’s a acoustic-punk session that avoids being a boring through its sheer urgency. A very respectable 4/5, and it will definitely be getting those extra listens.

Led Zeppelin – Led Zeppelin II (1969)
On Day 118, I had my first ever introduction to Led Zeppelin, and there couldn't have been a better starting point. The energy, the riffs, the grit, and the production are all high-level, it’s hard to believe this is a 60s album because it feels way ahead of its time. The entire project is cohesive and provides a total immersion.
While the whole album is a classic, "Bring It On Home" was my personal standout. I also loved "What Is and What Should Never Be," "Heartbreaker," and the immaculate opener that set the tone perfectly. From "Thank You" to "Moby Dick," every track delivers. This is a massive experience that absolutely guarantees my return and got me looking forward to their other album in this project. A definitive 5/5.

Great! Liked Desolation Row

Buddy Holly & The Crickets – The Chirping Crickets (1957)
On Day 116, I experienced a record that was perfect down to the last minute detail. While its influence on The Beatles and the generation after Elvis is undeniable, the LP stands on its own with a consistent rhythm and perfect vibes. The rock-and-roll energy is great throughout the entire tracklist.
Buddy’s signature "hiccup" vocals and the orchestral-style backing harmonies from The Crickets create a slick and sound that I really connected with. I liked tons of tracks on here, it’s a perfect body of work that doesn't feel dated despite its age. This marks the first time in my journey that I’ve hit four 5/5 ratings consecutively. A definitive 5/5.

The Pharcyde – Bizarre Ride II the Pharcyde (1992)
On Day 115, I experienced a true masterpiece that stands out as a breath of fresh air in a scene otherwise dominated by hardcore and gangsta rap. This LP is an outstanding example of how to engage a listener through a playful, storytelling-driven narrative without taking yourself too seriously. While I found "Pack the Pipe" to be a weaker track that didn't match the energy of the rest, the overall experience was absolutely perfect.

The rapping chemistry between the quartet is immaculate especially "Passin' Me By," they deliver an outstanding storytelling by reciting their failed fantasies with incredible vulnerability and wit. My personal favorite, "On the DL," manages to be hilarious while discussing heavy topics like masturbation and murder, much like the catfishing narrative on "Oh Shit" or the "not chasing" message of "Otha Fish", and who can forget the classic ya mama jokes exchange on "Ya Mama" which elevated there chemistry! Even while being playful, they manage to drop "conscious" messages about police brutality on "Officer," which features a tuff Run-DMC-esque production.

The production by J-Swift and the crew is slick and consistent, especially on the "Soul Flower (Remix)." The way the skits, like "Quinton's On The Way," actually build into the narrative rather than being a snooze fest shows a high-level of curation. Having known a few tracks before, giving them a thorough listen in the context of the full LP was a blessed experience. Great storytelling, engaging fun, and actual rapping chemistry. A definitive 5/5, I will definitely be returning to this.