"Be-In" could've been so much better if it had been cut short. That song was way too long for what it had to offer, dragged out beyond any possible need. "Orange" has such a cool instrumental; it is so interesting, kind of mysterious and unknown, treading lightly into a second of joy.
On the other hand, "Not If You Were the Last Junkie on Earth" is kind of boring. It feels like I've heard that song a hundred times before, and I am not a big fan of it at all. I really liked this album at first, but it just got blander and blander as it went on. It is starting to make me snooze, and "Green" is the best example of this. He is also doing that half whispering, half talking singing voice that is so hard to nail without making me physically recoil, and he is clearly not succeeding at it. "Good Morning" is making me cringe a bit, too. It is just the way he says "good morning"; I do not know, I am just not a fan of that song.
The singles are also kind of weak, in my opinion. I enjoy the lesser appreciated songs way more, and I am not saying that just to be "oh so different" and special; I think the hits were designed with a more commercial appeal in mind as they lean a bit more towards pop. I like the more alternative songs on this album. The album is fine as a whole; it is alright, nothing groundbreaking, but an easy listen. I think it pretty much is what you expect it to be, honestly.
Why does "Pete International Airport" sound like that towards the end? The start is kind of meh, but it gets more interesting as it finishes. Was it their goal to make it sound like an abandoned airport with broken or boarded up windows? It is a zombie apocalypse, and not just any zombies, the DayZ zombies. You are hiding in said abandoned airport, a storm is brewing outside, night is falling, and everything is quiet. All you can hear is the gushing wind through the cracks, crevices, and broken windows when all of a sudden... basically, this is the vibe that song gives me.
Now, onto the last song. This sounds like a really extended movie soundtrack, the type of sound played during a movie's climax. Those distortions kind of sound like an Australian didgeridoo, so in my head, this song feels Australian. It is like there is a group of guys stranded somewhere in the middle of the Australian outback, trying to get back to civilization, and this starts playing during the montage of them learning wilderness survival, the kind of thing that happens in these types of movies every single time. These last two songs are interesting regarding their composition, but I do not see why they were included in this album at all. I do not see them working well with the rest of it. Maybe I am too stupid to see the vision or understand the deeper layer.
Fave song(s): Orange, Minnesoter
Least favorite song(s): Green
Deserving of being on this list? Eh. Its legacy isn't that great, the critical reception was just alright, and it is not an incredible album based on my taste, so I am inclined toward a no. Is it a fine album? Yeah. Should everyone listen to it before they die? No way.