Reviews by georgehart1122

Bittersweet Symphony is a throwback hit. This is like a slower, proto-Muse. Its pretty inoffensive.

Sympathy For The Devil is pretty tired at this point, No Expectations wisely takes things into a lower gear. There is a lot of roots american and blues acoustic on this record. Prodigal Son is a great song.

The songs are upbeat, driving and have a sense of purpose. Pump It Up is a killer hit. (I Don't Want To Go To) Chelsea is a good showcase of brit punk/pop. Great album, will need to revisit

OOOOOOOOOOOOOO. This is an album I have loved for so many years. They took the world by storm and laid the foundation for the electronica explosion that was to come. Around The World has the best video.

This is a laid back, slow burn of an album. This is actually great for getting work done to.

oh god its a live blues rock album. It's actually surprisingly tolerable if you just go ahead and ignore it, which is pretty easy to do. God I wish this stupid guitar solo would stop. Dear lord, its me. I am trapped in this neverending blues extravaganza. Down here, a Hammond organ and the blandest overdriven guitars do basic pentatonic solos with occassional blues notes follwed by 1 4 5 4 progressions. There is no color. There is respite. There is no where to hide. Only the blues. This was like 15 mins of music stretched out to almost 2 and a half hours.

OOOOO the slick funked out groove immediately has my attention. I like this salsa. I have absoltely heard Pedro Navaja before. And it fucking slaps.

These guys suck on an album. Behind The Door is the only song so far that has gotten my interest. The story of early punk and hardcore band beef is honestly the dumbest shit.

this is a fine early punk album.

This is fun in a barn party sort of way. depends heavily on how into barn parties you are into at time of listening. Motor City Burning is just a heavy blues song.

Shout has me off the bat interested in where this album goes. Everybody Wants To Rule The World is a perenial hit. The rest is just sort of filler.

This album kicks ass. The aimless noodling on Moonchild is a bit much though. come on guys. Court of the Crimson King is just so good.

The youtube link is all fucked. so I'm not going to get a clean run at this album. Though thats not a huge loss, three tracks in and its a big boring nothing burger so far. It lacks any apprechiable drive, or forward thrust. just sort of floating noodling. Then Revolution happens and the whole space thing is dissolved into something just as aimless but with rhythm. I don't think I have liked a single track thus far and its time for the 11 minute song Suicide. God, what a turd.

As much as I hate Kanye's ego, the first two tracks have me interested. BLKKK SKKKN HEAD has a great, light swing with very grounding textures. New Slaves has a big juicy hook. Bound 2s music video is stupid, but the song is alright. pretty solid record on the whole. a lot of musical texture to give it body.

Really cool guitar tones on this one. Blue Motel Room is a sweet low swung song. totally worth a revisit.

OoOoOoOOOOOOOO. I feel a little uncomfotable listening to this in the morning of a work day. but oooooooo Let's Get It On has gotten countless hopeless fools laid so its irresistable. Marvin's upper register is woah! If I Should Die Tonight is a great song.

17 year old me is screaming right now. Nitro still kicks ass, Bad Habit is still morbid fun. I find a lot of the albums brightest songs are the non-singles. Something To Believe In, Killboy Powerhead, So Alone are all fun songs. The singles on the album I feel are pretty dusty and tired but there is still a lot of nostalgia driven love for this album.

Some Other Time is a cool song. pretty bland punk sound.

Song Of Joy gets this off to a spooky start. Curse Of Millhaven is rad. Wild Rose is okay but not my favorite on the album. O'Malley's Bar is a long string of murderous delight.

oh holy shit 3 songs, 37+minutes. what in tarnation? Close To The Edge is heckin rad! woah what an incredible album