Reviews by georgehart1122

I like Thrasher a lot. The acoustic side is really roomy and sounds great. The Crazy Horse side is probably the best version I have heard of Neil Young yet. Welfare Mothers is a weird song though.

Bowie plus Eno. Really hear it on Breaking Glass. I am really feeling this sonic landscape. Warszawa and the second side where this album really stretches out its legs. Need to re-spin it.

They have the early 2000s alt sound lined up and nailed. Date With The Night is abound with lipstick and neon. Maps is a great tune. Cool album, will need another spin

Love Sick into Dirt Road Blues is an excellent contrast in tones. I still don't like Bob's diction. And after a while its just the blues. Tryng To Get To Heaven is a perfect example of Bob Dylan ruining a perfectly good song with his voice. Jesus I can't stand this guy's voice. Cold Irons Bound is a good tune, which I think is the only real reason I don't give this a 1 star. Highlands is bullshit.

The vocals are so clear in this mix. i think its because the kick drum is so soft on the attack. Roots, Bloody Roots has my attention. Ratamahatta is a real cool groovy. Ambush has some classic hardcore metal gang vocals. I feel like I am obligated to take off a star because of a 12+ minute album closing canyon jam session, though one of the instruments is a gun?

Mandela doesn't sound like anyone is playing in the same time. the downbeats are all mixed up. Song For Sathima is alright! Water From An Ancient Well is the axis about which the entire album turns. the ultimate chill and jazz album. Sameeda is a weird closer. I like it but man it is weird in the context of the entire rest of the album.

Concrete Jungle and Stop That Train are solid Bob hits, even if they arent the cultural juggernaut that some of his other songs are. Stir It Up is in that pantheon of greatest grooves ever conceived. Midnight Ravers kicks ass.

Girl Punk! YaY! like an early Bombpops kind of sound. Almost hypnotic looping on Hot Topic. One of the founders was in Bikini Kill, so that explains the similarities in sound. The The Empty is great. Artist at Free University is also great. this will need another spin to say if it is a 4 or a 5 in my book.

I can never take Randy Newman's voice seriously. Lonely At The Top is a dark carnival soundscape. Its a charming album, I just don't think I really care for most of it.

Cool blues/roots punk. Sex Beat is a treat of an opener. great formational album of a lot of the grunge and alt rock.

Cool rock electronica fusion. I appreciate the roomy kit sound. Playground For A Wedgeless Firm is probably my favorite track.

Very Garage-y aesthetic. Let It Slide is good. The low recording quality makes all of the songs sound exactly the same. Shoot The Moon is more my speed, but Move Out was good too. The harmonica does a lot to add something bright and cutting with everything else being fuzzed out, like in Pokin' Around.

Oh boy One Hundred Years really sets the tone here. Too gloomy for me.

This is the kind of synth pop that is unapologetic in its sounds. angular, refusing to blend. the task then is more in stacking them, which sounds like what I am in for. This almost feels like a less fun DEVO. Or like listening to a very poetic retro gamer stream. Some songs have interesting hooks but I'm just not super interested in the sounds. Don't You Want Me Baby keeps this from being a 2 star for me. Seconds is a good track.

Oh man very familiar with this album. Fucking pristine tracks cover to cover. Have A Talk With God up next to Village Ghetto Land is lots of whiplash. Contusion!! Sir Duke sparkles like a new copper penny with lush orchestration and feels just as joyful as when it was first made. Then to hit the listener with I Wish. Past time Paradise is a great track. I mean everything on here is a great track. Even the Extra LP tracks add a bunch of great tunes.

4 tracks in and I am still waiting to grab onto something. I don't find the acid club/industrial rock genre incredibly compelling in album format. I am sure they would be much different live, with a lot of sweaty people doing drugs and losing their minds. Deep Water with the surprise ukulele! yep the rest of the album is the same and I couldn't wait for it to end.

Race For The Prize has me interested. Three tracks in and I can feel the album really has musical legs that it is stretching. The lyrics of this album are really good. By the end of this album, I was hooked. Will merit a second listen.

Take It Easy, Witchy Woman is hard to beat in terms of a 1-2 punch. I mean the Eagles have a way of creating a laid back groove with ease. Yea these harmonies are where its at. Early Bird is real weird but i like the banjo.

I vaguely remember Boys & Girls from my childhood. I do like it more than some of the other Britpop of the era, but I'm sort of done with the genre in totality. Bank Holiday is pretty dope. However, To The End is boring as hell.

Much different from The Smiths sound of Morrissey. We'll let you know has some very not PC overtones. I mean its a great Morrissey album, its just if you are on the fence about him like I am, then its hard to say if it shifts it for me out of 3 territory.