Reviews by henry-winchester

Interesting to hear this immediately after Notorious B.I.G. Hip-hop just evolved so much; the sound and production here is incredible, almost Rundgren-esque in places, and I really like it. Such a unique voice, in both ways, as well.

The Cardigans and The Wannadies did indie better than the Brits thanks to the innate Swedish understanding of how to write great pop songs. The sweetness of Nina Persson's voice makes up for the insipid nature of some of the songs here.

Rain DogsTom Waits

Rated 8/10

I haven't enjoyed most of the Tom Waits albums I've listened to on here, but this turned out to be an exception. It's definitely Waits, but it's less indulgent and more accessible than his later works.

PS

Femi KutiFemi Kuti

Rated 10/10

So good. I love stumbling upon stuff like this that I'd never usually listen to, and Femi's family history is nothing short of incredible. It's an uplifting, energetic, politically switched-on and occasionally very funny album.

Music for Airports - and generally quiet environments. I tried to listen to this in a busy cafe with loud, terrible music (KLAXXONS) in the background, and it kind of ruined the serenity.

But it's definitely a great album, and a very influential one. I love the repetition of motifs and the way it builds up layers. Hypnotic.

Tago MagoCan

Rated 10/10

Starts out so tight, but totally goes off the rails towards the end. Gets top marks though for being so, so far ahead of its time.

I found this bland and forgettable. I think I prefer Bowie when he's doing more cringeworthy stuff, because at least he's trying something new.

Wasn't a Weller fan at the time, he was the Palpatine behind Noel Gallagher's Vader, and together they built a bowl-cut Death Star of dull mod music (OCEAN COLOUR SCENE). But I understand the appeal a little more now: Wild Wood is a British, post-punk take on singer-songwriters like JJ Cale and George Martin. As such, I think it just about stands on its own merits.