Rated 8/10
One of the few times where the songs sounding the same actually works out. The chill vibe throughout sorta puts you into a trance when you listen, in the best way.
Rated 8/10
One of the few times where the songs sounding the same actually works out. The chill vibe throughout sorta puts you into a trance when you listen, in the best way.
Rated 6/10
His voice reaches some silly high notes hear and it turns a serious song into something laughable.
Rated 4/10
Her voice is ridiculous, so I can see why it’s been parodied as the quintessential female folk singer voice. The songs are all way too similar. A couple nice moments.
Rated 2/10
This guy should stick to poetry, because he can’t write a song worth a damn.
Rated 2/10
How am I supposed to take any of this seriously when it’s done in this ridiculous accent?
Rated 4/10
She’s got a nice voice, but every song sounds the same, too sweet and poppy. The title track definitely deserved to be the hit.
Rated 6/10
Most of the songs of lots of interesting layers of sound. Some decent melodies.
This dude wants to be black sooooo bad.
Rated 4/10
The that this album is mentioned in the same breath as Rubber Soul is an absolute travesty.
Rated 8/10
Some incredible riffs. The precision timing and complex song structures are genuinely impressive, but they do get a bit too long at times. The production/mixing is the big story with this album, and it is just a travesty what they did to Jason Newstead with this album. If his bass parts were audible, this could probably be bumped up a whole star.
Rated 6/10
Some nice jams, but nothing groundbreaking. Terrible whining vocals over riffs that don’t go nearly as hard as they think they do.
Rated 4/10
Very repetitive, with improvised vocal melodies that provide no hook at all.
Rated 10/10
Incredible melodies and poignant lyrics. Slide guitar will always be an elite instrument. Nothing to dislike here.
Rated 6/10
Gabriel did himself a real disservice by eschewing cymbals. There’s a whole range of ultra-high frequencies that the cymbals fill in recorded music, and without that, the whole thing just sounds like it’s missing something. Which is a real shame because there’s some great melodies and lots of interesting sounds that would have been elevated by not arbitrarily cutting out one part of the drum kit.
Rated 6/10
Some good energy, but does fall into some of the trappings of late-60s rock with an extended blues jam somewhere in the middle.
Rated 6/10
Most of the songs sound the same, but there’s just enough variation to keep things interesting. Wouldn’t revisit, but didn’t hate it.
Rated 4/10
Most of the songs revolve around a single-measure loop, repeated for 5 minutes straight. I absolutely hate that kind of repetition. A couple of the songs escape that mold and manage to be kinda fun.
Rated 8/10
Nice variety of tones, some unique chord progressions and melodies. Great voice and production.
Rated 4/10
Standard 90s hip hop. Nothing about it stands out in a way.
Rated 6/10
I honestly liked the songs without vocals better than the ones with vocals. Great production, but the Bowie melody and songwriting just aren’t there.