Rated 8/10
I still prefer later Bowie over the glam rock era incarnation, but this is still very enjoyable. The piano, especially in the title track, is fantastic.
Rated 8/10
I still prefer later Bowie over the glam rock era incarnation, but this is still very enjoyable. The piano, especially in the title track, is fantastic.
Rated 8/10
Over 50 years old, but still sounds pretty fresh. The mix is pretty bad; I preferred the Bowie mix over the Iggy one, but neither are great. But the underlying material is solid, and there's some great guitar on the record.
Rated 6/10
I'm not a huge fan of Geddy Lee's voice (though I don't hate it either), so the instrumental YYZ is the best track for me. Second best morse code rythymed song (after the theme tune to Some Mothers Do 'Ave 'Em).
Rated 6/10
Solid stuff, especially the title track. I enjoyed listening to this. A pretty strong 3.
Rated 10/10
The musicianship on this album is incredible; the drumming is so tight, the bass locks into the groove. The keyboard solo 12 mins into Chameleon is excellent.
Rated 8/10
Excellent songwriting (though some of the chord progressions in "My Old Man" feel a little odd). "A Case Of You" is a wonderful song.
I'd never heard of Callahan before this listen. He's got a soothing, pleasant baritone voice that fits the slightly dark tone of the music - like a more tuneful Leonard Cohen. I liked this quite a lot.
Rated 10/10
This is the second album in a week where a white guy in the seventies puts on a dubious Jamaican accent. Oh dear.
Other than Jamaican Jerk-Off (which is truly awful) and Roy Rogers (which is a bit weak), every other song on this is great. Elton certainly knew how to write them in the seventies. Favorite one I hadn't heard before was "All The Girls Love Alice". 4.5 stars (minus half for JJO), but rounding to 5.
Rated 6/10
As other reviewers have noted, the level of vibrato here can be a bit tough going. But its not excessive on all songs, and the music is otherwise very good. A solid three.
Rated 6/10
This album is brilliant and infuriating in equal measure. There are portions of it that are quite wonderful, but other bits that I find quite annoying. Giving this a three, but unlike most threes, it's not because it's "pleasant but unmemorable", but rather that that's the only way to average out the fact that this albums is both 5 and 1.
Rated 6/10
This was nice enough to listen to but it didn't really grab me in any way.
Rated 10/10
Wow, I thought this was just fantastic - can't believe I've never listened to it before. Totally see why it's so acclaimed. The complex rhymes here must have been a revelation in 1994.
Rated 6/10
Not quite sure what I feel about this one yet; I think I need more time, and more listens for it to settle in first. I'm going to give it a 3, because I quite enjoyed it, but I think that could change by +/-1 in the future
Rated 4/10
I really can't stand "Without You". It's so schmaltzy and overblown. And Coconut seems a bit racist these days with the fake Jamaican accents. Overall I'd say that something about this album rubbed me the wrong way.
Rated 6/10
I liked this significantly more than the early era Cohen we got a few weeks ago. The songwriting is strong here, and although Cohen's voice is not necessary an easy listen, it suits the atmosphere of the music well. A pretty strong three.
Rated 6/10
I bought this on CD when it first came out and it seemed pretty groundbreaking stuff at the time - I guess the first exposure of drum n bass to mainstream culture. But I'm not sure it holds up that well in a modern context. It's fine, but it's a little samey, even if you restrict your listening to just the first disc of what is now a 5 hour deluxe release on streaming.
Rated 6/10
Not really my kind of music, though I appreciate it is good quality in its genre. And Dolly is a singer/songwriter legend. There were a few tracks here that stood out for me - especially The Way I See You / Here I Am.
Rated 10/10
Never listened to anything by Robert Wyatt before, but I loved this! Heaps of Sheeps pulled me in immediately - can really feel the Brian Eno production here. The rest of the album was pretty amazing too - I think this might be my favorite "previously unknown to me" discovery since starting this project.
Rated 6/10
It's undeniable that Adele has an incredible voice, and some of these songs are really strong, but it's not something I'd typically listen to. There are also a few "truck driver's gear shift" key changes here that I don't feel were necessary.
Rated 6/10
I like the individual songs in this but there's not enough variation to make it a great album. Paper Planes is a banger though.