Reviews by ron_penis

according to wikipedia members of both Radiohead and Oasis praised the Beta Band, which makes sense to me given that this album feels like the midpoint between those bands (Steve Mason of the Beta Band's assertion that nothing sounded like this before or since is pretty comical) except much mellower, not really coming alive in any meaningful way until the closing track. i won't say this is awful or anything, but the vocal style is too mumbly and reserved, the sound is too thin, and it's generally just sleepier than i am typically interested in

exhibit three million that the most important aspect of producing a good album is knowing when where and what fat to trim. the second most important is not having a sound that is evocative of a sweaty armpit

there will always be some nu-metal nostalgia festering inside of me, and while that does extend to Limp Bizkit to a certain extent, that advantage can only go so far. Fred Durst has one of the worst voices of all time, this is unbearably long, and at the end of the day, it's just not that interesting. the kind of hybridization that nu-metal and rap-rock is built on and was much maligned for will always be interesting to me, but Limp Bizkit feels like much less than the sum of its parts. practically anybody could rattle off a neverending list of better rappers, better metal bands, better hard rock, better etc etc. I can't really imagine any reason to reach for them besides nostalgia. the main appeal at the time was the kind of vaguely apolitical, directionless rage and anti-establishment sentiment, the provocativeness of it all, but in retrospect it's easy to see how other bands of every era much more genuinely, meaningfully, powerfully and most importantly entertainingly communicate anti-establishment and anti-authority ideas. Fred Durst just comes off as a whiny, effete poser when compared to the likes of Rage or Public Enemy or NWA

to also briefly engage with the most common arguments in the favorable reviews here, despite my personal dislike, i do agree this deserves its spot on the list just for the cultural relevancy, how well it captured the contemporary zeitgeist. but the other thing that seems to come up is the classic bristly "you're a pussy if you don't like this" bullshit, and to ignore the obvious misogynist and nonsensical aspects, is just stupid on the face of it. this is radio friendly, super accessible rock with metal and hip hop elements where he says "fuck" a few more times than we were used to in 2000, if you think this is "abrasive" or "tough" or "confrontational" or whatever, you seriously need to broaden your horizons and listen to some Blood Incantation or Backxwash or something

VeryPet Shop Boys

Rated 8/10

pet shop boys has always been one of those bands that i think is good and interesting musically, that i should by all means like, but i just can't get past Neil Tennant's voice. it's not even awful, like many other male vocalists that have darkened this list, it just gets on my nerves in a way I can't quite put my finger on (too nasally? production problem?). but everything else is solid, so a regretful "not for me" and a recommendation to anybody else

i feel (maybe not 100% justifiedly) like the 2010s were littered with albums like this: critically acclaimed returns of legacy acts. and for the most part, they've all been quietly forgotten as the years stretch on. of course, audience's attentions just stray more quickly now with streaming, the sheer volume of music, etc, but you still hear people (deservedly) heap praise on Loveless and Isn't Anything, whereas m b v is just not usually held in the same regard (at least in my experience.) it's not a bad album by any means and of course I'm glad for all the fans that got more music from them, but it doesn't do too much for me (although new you is a banger)

RisquéChic

Rated 10/10

it fucking rocks, we all know it, we all love Nile Rodgers, we've all heard the bass line from Good Times a million times in various forms and we're not sick of it because it's probably the best bass line of all time

the Captain hasn't quite found his groove yet, which means this is almost inarguably more listenable than Trout Mask Replica. it's still abrasive and strange but it's not really complex or esoteric enough to be an object of fascination or as rewarding on repeat listens as TMR (to me, at least). it's definitely catchier and more, um, traditionally musical, but it's stuck in a weird middle ground where it's too off putting to be in constant rotation but not out there enough to merit me sitting down and focusing my attention on it

TapestryCarole King

Rated 10/10

ending it on a frankly pretty flat cover of Natural Woman is.... a strange choice to say the least, but everything before that is wall to wall bangers

thank GOD there are two chemical brothers albums on the list! after the first 50 minutes of psychic damage, you might not be totally convinced that these two contemptible numbskulls are one of the worst things to happen to anglosphere popular culture, so it was necessary to include another hour to help us appreciate just how soul crushing this garbage is

lightning bolt's music makes me feel like a schizophrenic balrog who perceives the world in shades of red, artifacted like 20 year old jpegs, descending upon the city of Gondolin to hopefully have my cursed existence ended. 5 stars, who needs a guitarist anyway

The CarsThe Cars

Rated 4/10

crazy to learn all these songs come from the same album and even crazier that they're all songs I've always disliked

IllmaticNas

Rated 10/10

ah, NY State of Mind, the crown jewel of the Saint's Row 2 soundtrack

I'm sure alice cooper has been having a hard time ever since the coyotes left phoenix, and me posting my review of his dork music won't help, but unfortunately this is dork music

this could have been a good album but it's just murdered by awful production. the cover of I Can't Stand the Rain is such a lifeless, pale imitation of the original, and is immediately followed by the frankly grating title track, killing any positive feelings i initially had towards it. there are some decent performances here, but the production is just dreadful and I don't even think tina turner herself is turning in a particularly good vocal performance. glimmers of greatness drowned under waves of mediocrity