Rated 8/10
Really solid all the way through. Several huge hits that don't feel dated. This album must have seemed revolutionary when it first appeared
4/5
Rated 8/10
Really solid all the way through. Several huge hits that don't feel dated. This album must have seemed revolutionary when it first appeared
4/5
Rated 8/10
Like other electronic albums, I have a difficulty putting this one into context. However, every track is good pop music, if perhaps a little generic (though they may not have been for the time). It seems like sort of a weird choice for this list because I don't see it as being a groundbreaking album, but it's also hard to argue with because it's well-produced
4/5
Rated 4/10
How are there two fucking Mott the Hoople albums on this list? What is it about this album that I'm supposed to be enriched by? There are some nice instrumentals on this album, I'll give it that, but every song sounds the same.
2/5
Rated 8/10
This album reminds me of Ill Communication by Beastie Boys more than I thought it would. The emphasis on samples that feel like real music and the interplay between the different members of the groups are weirdly similar. When I think about the rap style of Jurassic 5, I always imagine it as sort of hokey, but it's better than I remember. In retrospect, they were a lot more interesting than a lot of the other stuff that was happening in rap in this era
4/5
Rated 8/10
Another really neat album that just kind of came out of nowhere for me. Almost all of the songs are really catchy, and all of them are good
4/5
Rated 6/10
It starts off really strong, but it falls off pretty hard the last few songs, especially the last two.
3/5
Rated 6/10
I don't think I've ever listened to a full album produced by Phil Spector before, which provides an interesting experience. The instrumentals do really fill up the record, which helps a lot in an album like this that I might not ordinarily like. It's another one of those times that I wish the rating was out of 10 rather than out of 5. This album is somewhere between a 3 and a 4 for me. The music is really cool, the words are mostly very uninteresting to me. I like his voice, though.
3/5
Rated 6/10
It starts out pretty strong, but every song kinda sounds the same
3/5
Rated 4/10
I don't think I've ever been more disappointed when seeing a new album pop up. How can a 43 minute album feel this long?
2/5
Rated 8/10
I understand why people like Neil Young, but I don't particularly enjoy him, and listening to a full album of his music is a bit of a chore for me. There are certainly some things to like about this album, but, but, but
3/5
Rated 6/10
I understand why people like Neil Young, but I don't particularly enjoy him, and listening to a full album of his music is a bit of a chore for me. There are certainly some things to like about this album, but, but, but
3/5
Rated 4/10
I find it very difficult to put this album into context. It certainly sounds like an early 90s techno album, but it's hard for me to know if it is groundbreaking in some way that makes all the similar sounding music that I've heard derivative rather than merely similar. Some of the lyrics are very cheezy, but again, I don't know how they would have been perceived at the time. Some of the songs are good (Make it Mine), but I've also never delayed finishing an album for this long before. At certain points, this album becomes the embodiment of toxic hippie positivity.
2/5
Rated 10/10
This is an even better album than I remember it being. Even without the hits, it's solid all the way through. Stevie captures so many emotions so well
5/5
Rated 6/10
This was a really tough one for me to rate. This album has some songs that I really like on it, but it also has some that I found pretty boring. The attitude towards women in the album is definitely not great, but I've tried to set that aside when rating other albums. I also feel like this album would sound a lot better if it was recorded today. As it is, it doesn't sound great, but there are later Stones albums that have a lot of similar sounds in them that pop a lot more on the recording. This whole recording sounds flat and muffled, and I don't know how to account for that in my grade.
3/5
Rated 4/10
It's always a bad sign when I'm already waiting for an album to end shortly after it begins. I'm not sure why I clashed with this one so hard, but I'm just not into it at all. It's simultaneously boring and exhausting
2/5
Rated 6/10
I really thought I was going to like this album more than I did. The first song is incredible, but the rest of the album doesn't have much to offer. Most of the covers are a bit uninspired, and the songs tend to all sound the same
3/5
Rated 6/10
It's got its moments, but there there are lots of other moments when I wonder when this album is going to finally end
3/5
Rated 8/10
This was an album that I haven't listened to in more than 20 years, so it's a strange experience coming back to it after all these years. It's interesting to see the different samples they were using on this album. Lots of jazz and funk influence. There's a lot more instrumentals in this than I remember. It's also pretty fun when they break out the hardcore punk for a song or two. It's a little strange listening to a rap album where my least favorite thing about it is the lyrics and still liking it, but the instrumentalism and diversity of sounds in this album really saves it
4/5
Rated 8/10
I knew more songs on this album than I thought I was going to, and they are all songs that I like. The album is really consistent throughout
4/5
Rated 8/10
Beautiful and sad
4/5