Haha oh no, I'm in danger. Luckily I got this QUADRUPLE* album on a weekend! I do find the concept appealing, as a completionist and fan of themes, even if I'm not an especial fan of Ella Fitzgerald or The Gershwins™ (honestly, I didn't even know there were two of 'em... only know about the airplane song).
Now that I meditate on it, my dad might have a (?blue, cardboard?) Gershwin(s?) album, but I must have found it very boring since I am not quite sure it exists. Will get back to you. [Update: he does have one, but it's neither blue nor cardboard; that was a different instrumental album ("Slaughter On Tenth Avenue"). It sure is easy to mix things up! In fact, I might have mixed up both albums with a large paperback book of baby names that had storks on it ("The Best Baby Name Book in the Whole Wide World"). I could probably read that whole book and listen to both albums and this would still be playing.]
*or SEXTUPLE? There's a lot of versions floating around out there; I tried my best to listen to the original release, which is described on ellafitzgerald.com as both a "5LP Box Set" and a "six LP collection" - further text goes on to clarify that it is "5 LPs and a 10" LP", which I think adds up to.... six LPs. Even if one is just a little guy. Imagine telling someone you have five cats and one very small cat. What an outrageous thing to say. Do you have 5 cats? Or 6?? Well, isn't every 6-disc collection also a 5-disc collection? No!! Are we living in a Mitch Hedberg joke?! Anyway, I listened to the 6 album version with the tiny 6th album.
It's pleasant and a cool project, but I don't know that many of the songs... even though a lot of them are from 1920s-30s (film) musicals, which is neat. Maybe these guys were the Rogers + Hammerstein of their time. Or the Sondheim of their time. Is the current Sondheim Sondheim? Maybe if Lin-Manuel Miranda does more stuff it'll be him. Where are all the lady musical composers?? >:(
The singing is obviously good, but it's not a style I'm that into. It's like... vocal jazz. (Update: wow the wiki genre is "vocal jazz"! I'm getting better at this!) So slow... no choruses... no variety!
I did learn the idiom "the worm has turned", though.
other Linguistic Intrigue: "I'm biding my time/'cause that's the kinda girl I'm" is surely ungrammatical; "Have a crush on" apparently dates to at least 1903; "lovelight" is a word you only hear in 100-year old songs; "All the sexes from Maine to Texas / Have never known such love before" is a wild line for 1931 (assuming a societal presupposition that the # of sexes = 2)
Highlights: 'Let's Call the Whole Thing Off' (because it's a language-related song, even though it probably entrenched some toxic ide-"ɑ"-logy), "When you said you care, imagine my emosh / I swore then and there, permanent devosh" (feels very early to have those clippings!), 'Slap That Bass' (for some reason this is one of the songs I knew, even though I have no idea how. [Update: Nick Cave sings it in the movie 'Joker: Folie à Deux'. Culture!]), 'Fascinating Rhythm' (especially fascinating: it's a song about an earworm that isn't an earworm! and it has the word "flivver" in it (=janky old car), which is another word you only hear in 100-year-old songs)
Lowlight: 'Strike up the Band' is a UCLA song. Boooo.