Reviews by galway_rat

HL: "Ricky", "Happy Birthday", "Stop Draggin' My Car Around", "Another One Rides the Bus", "Mr. Frump in the Iron Lung"

1983. A LEGEND was born

Kind of keeping in theme with the original 1001, this is not his best album, but it is an important one in his discography. His band would later become known for their chameleonic ability to do pop, new wave, metal, polka or whatever the song required; here Al's accordion works overtime. Hence his parodies here sound like jokes from the get-go ("My Bologna", "I Love Rocky Road"), unlike later, faithful-to-the-original parodies like "Amish Paradise".
My main problem with this debut is it doesn't have a polka medley of popular songs- yet in a way the reliance on the accordion makes this whole album a polka medley, in a way.
Side A has three elements which would define Al's career to come: the song about TV ("Ricky"), the song about food ("Rocky Road") and the upbeat, morbid original ("Happy Birthday"). It's the blueprint!

I've seen him live twice, on the Ridiculously Self-Indulgent, Ill-Advised Vanity Tour and the Unfortunate Return of the Ridiculously Self-Indulgent, Ill-Advised Vanity Tour. Both shows were, as advertised, almost free of the parody songs that he became famous for, and comprised of originals from the 1980's to 2010's. I don't recall him dredging up any songs from this album, possibly because it's the only one where his parodies are better than his originals.

May 2, 2026

is there any emo punk missing from this list at this point? I guess someone could add Billy Talent

Turns out the genre doesn't get less annoying to me when you stretch it out over 10-minute suites and 70 minute albums. To be fair, I thought The Black Parade was a bit annoying, so it's not Coheed and Cambria's fault that I can't immerse myself in this era of rock music.

Lest we forget those prog elements-- I was intrigued at the promise of a sci-fi saga called The Amory Wars. But when the music sounds like this I could not give a fuck about the story. One of the characters likes to kill women, I picked up that much. His name is Al the Killer

Good Charlotte makes a Rush album

Wet LegWet Leg

Rated 8/10

Fun thing about keepin' a music diary is that I know I have listened to this before, but well after the initial hype had worn off (January 21, 2025). It happened to also be the same day I listened to Haim's Women in Music Pt. III, which overshadowed Wet Leg's debut to me.
No such distractions this time!

I will say, I didn't truly appreciate the weirdness of the biggest hit "Chaise Longue" until more recently ("Would you like us to assign someone to worry your mother?"), so maybe the rest of the album will sound better.

Okay, so I may have thought before that Wet Leg sounds at times like an H&M commercial.
But tonight, I will admit there is a lot to love about this album, from that trendy, crunchy indie rock, to the more melodic, emotional moments, to Teasdale's voice switching between disaffected deadpan and riotous screaming depending on what the song needs.

It's a fun, breezy 37 minutes, and I feel bad for not paying much attention the first time

As with several of the recent British acts that have come up here, there is a chance the next 1001 book will have this

HL: "Chaise Longue", "I Don't Wanna Go Out", "Wet Dream", "Loving You", "Supermarket"

April 27, 2026

HL: "Focus is Power", "If Not Now, It's Soon", "The Curse", "Cheers to Me"

So, I actually found out about this in a WORST of 2025 list (Paste), which seeing as it's also in best-of lists (The Economist), I'm really intrigued about this

Update: 3/5, neither the worst nor the best of 2025. Coming to you live, from the fence I sit on

Okay, huh- it's kinda all over the place. The gospel at the opening segueing into dance pop was cool, but then the reverse happens, dance-pop to gospel in "69"/"What Now", and it feels strange and disjointed. It's not a proper bookend, either, since the album actually finishes on "The Deep Blue Okay", which along with the more abrasive "Lies" are songs that might grow on me. (That "I might fucking try" line is pretty great though)

As a first foray into Self Esteem's music, it was a pretty good time overall, despite feeling that this album is inconsistent. There should be more Northern English pop divas in the world

The orchestral backing made me think of one of my favourite albums this year, so I may as well shout it out- RAYE's This Music May Contain Hope

Latin MassOs Mundi

Rated 8/10

When the link takes you to Deutsche Wikipedia, you know you're going in deep

I see Conny Plank was involved in this band, which is no surprise- he also worked on German albums Neu! ’75 and Kraftwerk's Autobahn. HOWEVER, I reread the article and it turns out he wasn't involved with them on Latin Mass, so we really are in uncharted territory

The album cover is unsettling. Is that part of the candle? I can't unsee a naked bald man bowing towards the camera

More jam/improvisation territory than I expected. The music has a sinister edge like its cover, but you can't scare me with a drum solo

The genre of "heavy psych" has its ups and downs (Hawkwind, Blue Cheer being two bands I didn't rank very highly in the original list), but I found I enjoyed this a lot. I'm just a sucker for some organ.

HL: "Ouverture", "Credo II", "Agnus Dei"

April 26, 2026

There are spy film soundtrack vibes in this at times ("Notícias do Fundo") which I enjoy

Thought it dragged in the middle but has a strong run towards the end of the album

HL: "Chaga", "Notícias do Fundo", "Fim da Canção"

April 25, 2026

Not first listen

sampling yourself. what a flex.

such a claustrophobic album

“Humming”-best Portishead song? who’s with me

You know, Third might be my favourite Portishead. That is not an opinion I had when it showed up on the original list, but as good as Dummy and self-titled are, that one has grown on me the most.

If Dummy falls in second place, then that makes this the worst Portishead album.
Four out of five stars

HL: “Humming”, “Cowboys”, “Over”, “Mourning Air”

The Ideal CrashdEUS

Rated 6/10

Kinda weird coincidence, but I was just reading about post-Britpop bands on RateYourMusic, including dEUS, just yesterday (I've been listening to much Coldplay recently :0)

Guess you don't have to be a Brit to be tagged as such 🇧🇪

It has its moments

HL: "One Advice, Space", title track, "Instant Street", "Everybody's Weird"

April 24, 2026

It's pronounced 'Co-burn', you degenerates

This is not first listen- that was last year, when I powered through the Canadian Broadcasting Corporation's idea of the greatest 100 Canadian albums 🍁 🍁 🍁

Dancing in the Dragon's Jaws was right in the middle of the ranking. So, better than Nickelback's Silver Side Up, but not quite as good as Gordon by the Barenaked Ladies. (The rankings are wild, go check it out)

On that note, the Cockburn I hear the most often is probably the Barenaked Ladies' cover of "Lovers in a Dangerous Time", so maybe I also equate these very different artists.

The A.M. radio gentleness of Dancing represents Canadian music better than perhaps I'd like to admit (as much as the Norval Morriseau artwork and the French-language track). Or at least, it represents what Cdn radio/TV has shown me, is that the native artists aren't really known for rocking the boat.

Of course, the sweet melodies and marimba-flecked instrumentation are why I enjoy this so much, and probably help the enduring popularity of this album (The Globe and Mail's Canadian best-of also uses this to represent Bruce Cockburn). He would make more overtly political tunes like "Lovers" and "If I Had a Rocket Launcher"; matter of fact, I'm listening to Stealing Fire (1984) right now just so I can say I know more than one of his albums.

HL: "Creation Dream", "Hills of Morning", "After the Rain", "Wondering Where the Lions Are", "Dawn Music" (bonus track)

The fun of random number generation: when I received Clarity (1999) I initially balked at the long run time, and wondered why I wasn't getting the album with "The Middle" on it.
Today I finally heard the one with "The Middle" on it, and... I think something was lost from that last Jimmy Eat World album.
Don't get me wrong, the concise song structures are welcome, but beyond the polish there isn't much to write about.

Oh God. Is this brand of 2000s pop rock something I was too young to appreciate when it was new, and too old to appreciate now??

3 existential crises out of 5

HL: title track, "The Middle", "Get It Faster", "Cautioners"

April 21, 2026

April 20, 2026

HL: "Damn Door", "Rob the Prez-O-Dent", "Kiss the Cook", "Viva Discordia", “Squares”

Cops from the last century of American popular music but also distinctly sounds like 2008.
Let me expand on that; it feels like an Internet-age album in the same way that Demon Days and St. Elsewhere do

Unbelievably, this isn’t the first album on this list to combine rock, hip-hop and old-timey jazz; however unlike Soul Coughing, That Handsome Devil’s hyperactive genre switches and theatricality won me over much faster.

Godforbid’s bullfrog vocals can be a bit much, but they are no more abrasive than say Tom Waits

Not first listen (1001 generator be playing all the hits this week)

Now, something I didn't realize before is the version I've heard is an "uncut" version released in 1979. USUALLY I try to avoid deluxe versions, but in this case the longer version seems more in tune with Mingus's original vision, so I'll stick with it.

I didn't actually retain much from the first listen (according to my handy-dandy music diary, for whatever reason I put it on when I was listening to pop from the likes of Japanese Breakfast and Charli XCX, so maybe my brain just wasn't in jazz mode)

Halfway through today's listen, I am struck by the variety of moods. The "Hallelujah!" accented opening track is still a highlight, but also the weirdness of "Open Letter" is something I didn't appreciate last time.

I'm also learning that "Fable of Faubus" is meant to be a protest song with lyrics; however, being anti-racist is not a position Mingus's record label wanted to be associated with at the time. It's still a great, groovy tune as an instrumental, though.

And "Jelly Roll" is a nice final track to end on, with Mingus's bass skills front-and-centre

HL: "Better Git it in Your Soul", "Open Letter to Duke", "Fable of Faubus", "Jelly Roll"

LateralusTool

Rated 6/10

(Not first listen)

Tool, Tool, Tool…

This is the first album of theirs I heard, but 3rd on this generator. Between this, Ænima and 10000 Days, I've given up hope that I will ever be excited to put on a Tool album. BUT I do remember liking this one more than the other two, so maybe time will be kinder on Lateralus.

Well, this is a change. My initial impression of the second half was that it was a repetitive wank that brought down a decent first half. However, the faux-Eastern, psychedelic noodling of "Reflection" drags less than I remember. Maybe it's because I broke up listening this time, instead of riding it out the entire 75 minutes.

I lean towards prog rock and prog metal albums that are on the campy, even ridiculous side. Even Pink Floyd took themselves too seriously sometimes, but at least there's a sense of humour in their big Statement Albums like Animals and DSOTM.

Lateralus is a monster comprised of savage riffs, crazy time signatures (that somehow work) and existential lyrics. I can see why it is celebrated, and it is the best I've ever heard from this band, but the ambitious, complex arrangements that made them famous are precisely why I don't enjoy Tool all that much.

Still, this is like a 7/10 to me

HL: "The Grudge", "Schism", "Parabola", "Reflection"

oh man, I just got this album out of my system :(

Like a dream you don’t want to wake up from

Also they're making this album into a movie! I found that out only today

HL: “Image”, “Death & Romance”, “Watching T.V.”, “Tunnel Vision”, “Cry For Me”, “The Ballad of Matt & Mica”

April 17, 2026

*Apr 16, 2026*

https://www.youtube.com/watch?v=YcAHHKY3Y0I

Is this a fucking joke? I'm not playing your little game. Hasta la vista, cabrón.

*May 8, 2026*

In December of last year, Frontman for Extremoduro (as well as the one-off, Extrachinato y Tu*), Roberto “Robe” Iniesta passes away. Also in last December, this massive ass anthology shows up on the user list.

I initially thought this was a troll, but with that external factor in mind I genuinely think this is here out of love for the band.

SIIIIIIIGH fine I will indulge you, though I will whinge the whole time. Bite-sized pieces, I believe that’s the way forward.

The first ten tracks cover are split between debut Tú en tu casa, nosotros en la hoguera (1990) and Somos unos animales (1991). That’ll be a good start!

Versión 2004, versión 2004- are all these modern re-recordings? That’s disappointing if true. What’s the point of a multi-decade anthology if a bunch of them were recorded the same year?
I can confirm- “Decidí” is quite different in its original form, with a lower-quality recording and a more punk influence. The 2004 recordings are obviously more professional (that song is good both ways), but also feel, idk, anemic? More money for a better recording studio doesn’t necessarily improve the overall quality.
The multi-part “Quemando tus recuerdos” is the third song that grabbed me, after “La hoguera” and “Decidí”.
“La canción de los oficios” (Versión 2004) is back to average bar rock, and is probably a good place to end for now.

*I've heard their only album Poesía básica before, because it's also on this website!

*May 30, 2026*

We’re back! sorry I was busy listening to literally anything else -_-
The next ten songs represent their next two albums, Deltoya (1992) and ¿Dónde están mis amigos? (1993). But also they don't! Hello, Versión 2004, for all ten tracks!

Both the power pop "Ama, ama, ama y ensancha el alma" and "Sol de invierno" are already some of my favourite Extremoduro songs so far, re-recordings aside.
“Bri Bli Bli Bli” is my favourite from the 1993 album. Checked the original, and surprise- it sounds better. And has a prominent saxophone! Makes me wonder what else I’m missing out on from the original album(s).

That’s disc one complete! (There are two more discs in this piece of shit.)
Next time: I'll deal with the cuts from Agila and Canciones prohibidas, released in '96 and '98, respectively.

*June 4, 2026*

"Buscando una luna" and "So payaso" are pretty good (for the latter, I watched the egg-throwing music video)
"Esclarecido" has some nice, crunchy riffs.
"Golfa" is a change of pace? Over two hours into this project? Impossible! Okay, it's not THAT different from their other, more melodic songs, but it contains perhaps the most tasteful orchestration so far from this band, even more than that sicc trombone solo in "So payaso".

At this point, I should confess one thing that's been weighing heavily on my heart, so here goes: I don't speak Spanish. I have read multiple sources on the web describing the lyrics as POETRY, so obviously there's a crucial element I'm lacking here. Of course, the one that I ran through a translator app was "Salir", which without the nuance is just "I'm drunk and high and I miss you".
I'm sure knowing the lyrics would make Robe's voice more palatable. I don't hate it, per se, but so many times there's a musically interesting intro to a song, only for his raspy voice to come in and do exactly what he does in all the other songs. I'm sure people think the same about Anthony Kiedis, in that he has to be the frontman for some incredible musicians with his limited range- but I would never describe his lyrics as poetic.

Aight that's enough of this. Next time, I'll find out what Extremoduro sound like in the 21st Century!!
If I wasn't curious about their turn towards symphonic and prog rock, as hinted at on RateYourMusic, I'm not sure what else would compel me to finish this. The behemoths from the OG list were nice partly because there's a finite number of them (also I really enjoyed both Ella Fitzgerald and the Magnetic Fields). This compilation can't be a means to an end if there is no end to the list lol

*June 8, 2026*

It is 30°C where I am, and was 33°C in Extremadura today. Good! We shall both suffer then (i have no idea if OP is from there, but Extremoduro is and that's enough)

Easy breezy four songs today, from 2002's Yo, Minoría Absoluta.

"What do Extremoduro sound like in the 21st Century?" Answer: So far, much like how they sounded in 1998, and '96, and '93.

*June 12, 2026*

The prog has begun

The irony of listening to more Extremoduro than what's contained in this compilation (I suppose I already have done that by comparing the original album versions to the new ones). Nevertheless, I stand by my decision. 2008's La Ley Innata seems to have been written as a single continuous piece, so naturally, this compilation (which by now, I'm assuming was built by faceless men in suits from Warner Music) only includes about 2/3rds of it. Hence, I simply listened to the album in full.

*clap* *clap* *clap* Well, they finally did it. They made something that lives up to the legend of the Spanish rock gods their fans purport them to be, complete with an orchestra, face-melting guitar, and possibly the best vocal performance Robe had recorded up to this point. It's not that much of a left turn from them, with plenty of chugging hard rock to enjoy, but it really is the summation of their strengths, in my opinion. The coda is whatever, but everything else exceeded expectations.
Good job to all those involved, and what a way to wrap up Canciones 1989-2008. Haha, only jokes, there's still almost an hour left of this. I'll leave that to another day, so as to not spoil the mood La ley innata has left me in.

HL: "Dulce introducción al caos", "Primer movimiento: el sueño" (not on the comp), "Segundo movimiento: lo de fuera", "Cuarto movimiento: la realidad"

*June 16, 2026*

Listened to the songs from their last couple albums. They're pretty nice, ngl- once again showing the more melodic side of Extremoduro. "Si te vas" is definitely the highlight here, and the guitar has never sounded more Queen-like than it does in "El Camino de las Utopías".

But what I really noticed today is I'm F R E E . I'm finally free!

Goodness gracious, other people have already said as much, but what a way to make someone resent a band. A lengthy compilation spanning decades of music could be a great way to get into an artist. For instance, I had Forty Licks, the Rolling Stones comp, downloaded on my iPod touch I got when I was 10. It was a great gateway into classic rock. Without the admittedly crucial element of the lyrics, I don't feel like I've learned much about this band, even after 4-ish hours. They were punky at the start of their career, before getting more ambitious with the song structures later, but ultimately not much fundamentally changes in the music. I suppose someone might find that a strength- a hard rock band cutting their teeth in the 80's that didn't try nu metal, rap metal, or any other trends thrown their way. (The aforementioned Stones chased trends from psychedelic pop to new wave, which people remain contentious about.)

Still, I... sigh... didn't... hate it. Yes, the audacity of foisting this on strangers is frustrating. Yes, I did think several times there are other bands I could be listening to, had I not decided I was going to complete this whole thing.

"I mean it's alright, like"

Not first listen

I wasn't immediately taken by Prelude to Ecstacy, even though it has much in common with my favourite rock and pop. A potential reason for my initial coldness is the producer, James Ford. Not because he does the Last Dinner Party wrong, but because I was starting to really notice his presence in bands I listened to.
The grand, reverby treatment one hears in The Last Shadow Puppets' The Age of the Understatement (2008), Florence and the Machine's Ceremonials (2011), Arctic Monkeys' The Car (2022), and Blur's The Ballad of Darren (2023)? All produced by him.
As much as I like those albums, when I started to notice the similarities TLDP has with those other bands' orchestral pop, I started to focus more on the style than the substance of this album.
Ford might as well be shorthand for "I am sophisticated and British, now where's my Mercury Award?!"

I regret the opinions I held in the past (aka 2025), because I now think these songs get better and better after repeated listens. "Burn Alive", after the bombastic intro, wasn't the easiest introduction to this band, veering between that odd, suspenseful guitar line and synthpop, and back again. But now, next to the amazing track "Nothing Matters" (featuring vocalist Abigail Morris at her best), it has become one of my favourites.

There's a 90 second piece of Albanian folk in there, "Gjuha", that I somehow don't remember from past listens.
In a way it kinda sums up my feelings for this album: lush, immaculately produced, very pretty, even if it's a little confounding the first listen.

My fears that the Last Dinner Party would be a one-album fluke were ended when From the Pyre quickly followed their debut, a slightly darker, gothier affair that matches this one in quality.

4 stars, maybe more

Welcome back to the latest entry in "Oops! All 90's Albums!"
7 out of my last 8 albums have been from that decade. I get the sense that a certain demographic prevails in this community. (I also submitted a 90's album so I do not judge)

The producer, Don Fleming, produced this album, as well as Bandwagonesque by Teenage Fanclub and Goo by Sonic Youth. The second one makes perfect sense. The 3rd one really surprises me (though he's only an assistant producer on Goo)

So far I'm liking the Posies' take on grungy power pop. It doesn't exactly fill a niche that wasn't already on the 1001 (see Bandwagonesque, Copper Blue, It's a Shame About Ray, Foo Fighters self-titled*), but it's still a joy to listen to.
If Frosting on the Beater is a pop album produced like a grunge album, it makes a nice bedfellow to Nevermind, a grunge album produced like a pop album.

HL: "Solar Sister", "Flavor of the Month", "Burn & Shine", "How She Lied By Living"

April 14, 2026

*I just read a YouTube comment that Foo Fighters rip off this band, and I don't know if that's true, but I believe it

April 13, 2026

HL: "Anytime Anyplace Anywhere", "A Prince in a Pauper's Grave", "Shoppers' Paradise", "Billy's Smart Circus"

"It was recorded... on 8-track, costing only £4,000", and by Jove, it sounds like it!

This mix of new wave, glam and punk seems to be the answer to the question: "What do you get when you cross New Order with Big Black?"

And y'know what, it's pretty fun. It feels like a pre-game before spectating a football match. I've never spectated a football (read: soccer) game to date, but I imagine it feels like this

"Shopper's Paradise" is basically a Pet Shop Boys song

7/10

FuzzChucklehead

Rated 8/10

Back in the 90s again- I often try to find albums that complement the Album o’ the Day, but as I’ve been on a 90’s kick recently featuring Aaliyah, Prince, MJ and Janet, it’s almost like the AOTD is complementing ME

Never listened to Chucklehead before, but it fits under the very loose umbrella of “90’s funk”, featuring RHCP, Primus, Jamiroquai and Cake. I did say “loose”.

I love Bozack Horseman

I wasn’t entirely sold on this album at first, but after it was over, I realized my spirits were lifted somewhat by this Boston-area jam band. So that’s somethin’!

HL: “Retrosexy”, Beatles cover, “Hell”, “Flavorful Bouquet”, “Tug Boat”

April 12, 2026

Not first listen!
C’mon it’s Pulp what’s not to love

Songs I singled out from last listen: “Lipgloss”, “Someone Like the Moon”
Other HL: "Have You Seen Her Lately?", "Happy Endings", "Do You Remember the First Time?"